Published on Jan 20, 1997
Since the mid-1980s, the alternative quartet Phish has been
struggling to make a name for themselves through almost non-stop
touring through one area of the country at a time. Their hard work
has started to pay off, as their latest album
Billy Breathes has had moderate success.
But long before the days of regular airplay (or even a single),
there was an album they sold at their shows to try to dredge up
more interest in the band. Originally released in 1988 (and picked
up by Elektra in 1992),
Junta gave Phishheads their first taste of their lads in the
studio – and kids, it’s pretty damn tasty.
This two-disc set kicks off with “Fee,” a light little number
that features the keyboard work of Page McConnell more than the
guitar work of Trey Anastasio (though he establishes himself as a
very good lead singer on the track). The production quality of this
first effort stands out as amazing, just one sign of things to come
for both the album and the band.
“You Enjoy Myself,” a number which has become a staple in the
live set, shows off the mastery all four of these musicians have
with their respective instruments. Whether you’re getting hooked by
Anastasio’s flowing leads, you’re soothed by the keyboard work of
McConnell, you’re getting into Mike Gordon’s thundering bass lines
or you’re dancing to Jon Fishman’s drum work, the music hooks you
in like a… well, let’s not go to puns.
Some of the longer tracks on
Junta don’t seem to last as long as the CD timer says they
did. “David Bowie” is a solid instrumental prformance (with rare
interruption of vocals), as is “The Divided Sky.” The first half of
this disc, for the most part, is fun to listen to.
The fun continues, to a point, with “Fluff’s Travels” and
“Contact,” though the band’s silly side is first heard on the
latter. Despite the rather simple subject matter of the song, it is
another solid performance that makes it enjoyable. Even one of the
live tracks, “Icculus,” shows off the good humor of the band and
the side that has drawn their legions of dedicated fans.
However, not all is rainbows and roses on
Junta. The band occasionally seems to stretch for material,
such as on “Dinner And A Movie.” And, of the three live tracks
added on to the CD version, only the previously mentioned “Icculus”
is worth listening to. “Union Federal” is often boring,
occasionally painful, and seems to last much longer than 25
minutes. For all the comparisons that Phish have had to the
Grateful Dead, this isn’t what the Dead would have called “Space” –
or jamming, for that matter.
However,
Junta is an interesting first portrait of a band beginning
to cut their teeth, and has lots of solid material to keep the
listener returning to the disc. If only it had been pared down to a
single disc, it would have been perfect. Still, it will do for an
interesting two hours.