Published on Sep 29, 1998
Near the end of the 30-year run of the Grateful Dead, lead
guitarist/vocalist Jerry Garcia’s singing sounded quite a bit like
a doting grandfather, gently running (and, at times, stumbling)
through the melodies old and new that made the band so endearing,
even near the end.
Garcia has been gone now for three years, but the role of
“grandfather” vocalist has been filled again by The Band (who,
ironically, opened for the Dead on their last tour). Their latest
release,
Jubilation, swings like never before on the more uptempo
materials, but the slower numbers are very much hit or miss.
Only three original members of The Band are still with the
group; Robbie Robertson has refused to rejoin them, and keyboardist
Richard Manuel committed suicide back in 1986. Of the remaining
members, Rick Danko has the most “Garcia-like” vocal, with Levon
Helm a close second. At times, this delivery is touching, but at
other times, it seems to stand in the way of the music – and some
of that doesn’t even sound that original anymore. The vocal
delivery and drums on the opening cut “Book Faded Brown” reminded
me a lot of the song “Black Muddy River” – listen closely, and
you’ll hear the similarities.
Jubilation features two special guest appearances, but
neither Eric Clapton nor John Hiatt make an effort to stand out in
the music. Wisely, both allowed their contributions to just become
part of the music – smart move. Listening to Hiatt share the vocal
duties on “Bound By Love,” I have no doubt that if Hiatt ever
wanted to become part of The Band, he’d fit in perfectly. Clapton’s
guitar work on “Last Train To Memphis” isn’t as noticeable, but in
this case, it works to the song’s advantage. Instead of sounding
like a guitar virtuoso showpiece, it sounds like classic Band
material.
Where
Jubilation stumbles is in the slower-tempoed numbers, all of
which seem to intensify the fact that this group is now on its
fourth decade. “If I Should Fail” and “Don’t Wait” are nice enough
songs, but they seem to get bogged down from the outset. Other
tracks like “High Cotton” don’t have the lyrical development I
would have hoped for out of a Band song, and they suffer because of
this.
Still, the faster-tempoed numbers make sure that
Jubilation lives up to its name. Songs like “Kentucky
Downpour” and “White Cadillac” (featuring drummer Randy Ciarlante
on vocals) demonstrate that even after all these years The Band
have something important to say. And, from my experience of seeing
The Band open for the Dead in July 1995, when they’re locked in the
groove of more rock-oriented numbers, their overall sound was
better. (This, by the way, is not an indictment against The Band
doing slower-tempoed numbers; for example, I love “The
Weight”.)
Overall, the sound on
Jubilation is a positive one, and offers evidence that The
Band is still very much a force to be dealt with. It’s many years
since the passing of their glory days, but
Jubilation has many moments worth celebrating.