Published on May 9, 2006
It was inevitable, I suppose; from
grab-some-retirement-cash partial reunions of successful 60s and
70s bands like the Doors, Journey and Queen, we’ve now moved into
the 80s with INXS and the New Cars. (I grant you, The Cars came out
in 1978, but that only confirms they were ahead of their time; this
is the band that basically invented early 80s new wave power
pop.)
As with the other examples noted, it’s hard to shake
that queasy feeling in the pit of your stomach when thinking about
the whole deal here. Granted, original Cars holdovers Elliott
Easton and Greg Hawkes have a point when they call their
distinctive lead guitar and keyboard work “the band’s musical
nucleus.” But as with the other bands mentioned, the new lineup
features a ringer sitting in for the original group’s memorable
frontman.
Easton and Hawkes at least had the good sense and
good fortune to recruit a quality ringer in Todd Rundgren, who
jumps into Ric Ocasek’s lead vocals/rhythm guitar slot with gusto.
(For the record, Ocasek and original drummer David Robinson were
invited to participate, but declined.) The New Cars’ lineup is
rounded out by bassist Kasim Sulton, Rundgren’s bandmate in Utopia,
and drummer Prairie Prince of Tubes fame.
The good news is, the new guys are clearly all huge
Cars fans, and Rundgren’s voice is a thoroughly suitable successor
to Ocasek’s on most of these songs. As this primarily live document
illustrates, the new lineup has the original Cars’ set list down
cold, playing the classic hits with energy and authority.
Highlights include a positively giddy “Shake It Up,” a spot-on
“Moving In Stereo” (complete with distortion on the vocals), and
satisfyingly hard-rocking versions of “Let’s Go” and “Let The Good
Times Roll.”
The one major stumble in the live set is the New
Cars’ version of the original band’s mid-80s hit “Drive,” which was
sung in ethereal fashion by bassist Benjamin Orr, who passed away
in 2000. Rundgren tries to take the song into a different register
and crashes and burns three or four times while trying to both
imitate Orr’s distinctive phrasing and keep the song within his
range. The original Cars had enough hits that the new lineup
doesn’t need this creeping disaster mucking up the set list; they
should ditch it.
The disc also includes three new studio recordings
that are respectable if not particularly notable, each drawing from
the same original-Cars universe of lonely oddballs tapping their
checkered Vans to sharp guitar lines and lush harmonies. Premier
single “Not Tonight” is the obvious standout, the most skillfully
executed Ric Ocasek homage I’ve heard outside of a tribute album.
(Question: Was that a compliment or a slam? Answer: Yes.)
In the end, what the New Cars leave you with is a
tricked-out Honda Accord that tries really hard to convince you
it’s a 7-series BMW. The vehicle might get you where you wanted to
go, but is it really what you were looking for when you went
shopping? I don’t think so.