Published on Nov 25, 1999
It’s been an interesting career ride for the alterna-funk band
Korn. Their music has seemed to be recklessly fun, something their
single “Got The Life” from their last effort
Follow The Leader showed. And, of course, the kids ate it up
and begged for more.
But something seems to have happened to Jonathan Davis and crew
in the year since
Follow The Leader was released. It almost is as if a curtain
of maturity and responsibility fell on the band, and they took a
look at things in general. Now, I don’t pretend to have any inside
knowledge about the band’s inner workings, but I do believe
something shook them to their foundations.
In that mindset, Korn puts forth
Issues, their fourth album. It is an album that seems less
concerned about hit singles and more about song structure and mood.
And while it is a disc that begs for repeat listens – something
you’ll be more than happy to give it – it is a worthwhile journey
for listener and band. It even dares to suggest that Korn has
matured a bit as a band.
The area where I believe the band faced some kind of reality
check is heard in the song “Wake Up,” where Davis is pleading with
someone – his own band? another band in the same genre? – to
remember the reason why they go on stage and play music in the
first place. Peppered with demands that the subject in question
“wake the fuck up”, it’s an incredibly powerful song that makes you
wonder what triggered such a song.
Korn themselves also seem to have gotten some kind of a wake-up
call regarding their music, for there really isn’t a clear-cut hit
single on
Issues. While
Follow The Leader was an enjoyable album in its own right,
Issues is almost a stronger album because it isn’t
hit-centered. “Falling Away From Me,” the first single from the
album, doesn’t have the strong funk center you might expect from
Korn, but it has its own unique structure that makes it appealing
in a mystical way.
Portions of
Issues are broken up with little vignettes – some of which
set the mood wonderfully (“Dead,” “Wish You Could Be Me”), others
that just seem to distract a bit from the big picture (“It’s Gonna
Go Away,” “Am I Going Crazy”). I would have rather had the music
hitting me like rapid one-two punches without having them broken up
with these little mood pieces.
But lest you think that Korn has forgotten what made them stars
in the first place,
Issues quenches those fears. Tracks like “Trash,” “Hey
Daddy,” “Let’s Get This Party Started” and “Counting” all showcase
Davis, Munky, Head, Fieldy and David in the light that the fans are
used to seeing them in. And make no mistake, Korn isn’t about to
let their fans down – hell, I even liked the way they closed the
album with over two minutes’ worth of white noise at the end of
“Dirty”. In a way, it was the perfect ending to this album.
If
Issues proves anything, it shows that a band like Korn can
mature in their songwriting and their views without losing one iota
of power. And for that, everyone should be grateful.