Published on Oct 17, 2005
It’s always gratifying when a master artist resumes his or her
work. This is certainly the case with Stevie Wonder, who has
returned to the music scene with
A Time To Love, released a few weeks ago. Listening to that
album sparked a mini-Stevie Wonder marathon for me.
Let’s first start off with the obvious; Stevie Wonder is a
brilliant musician. The albums he recorded from
Talkimg Book to
Hotter Than July contain some of the most brilliant music of
the ’70s.
Innvervisions is no exception; there are some truly
staggering moments to be found. However, no matter how many times
I’ve listened to the album, there are certain spots that fail to do
anything for me.
Unfortunately, some of those spots come at you right away. “Too
High” and “Visions,” are not awful songs; both of them sound good,
but there are some Wonder tracks you just lock into and feel, and
that didn’t happen with these two. Something about “Too High” comes
off a little stilted and “Visions” is a standard ballad, albeit
with some pretty guitar strumming thrown in.
Once the first two tracks are finished, then one can get to the
good stuff. “Living In The City,” has to be in the all-time Top
Five of Stevie’s songs. His sneering vocals, the menacing
synthesizers riffs, the mini-play put on during the last few
minutes, and the thundering gospel-inspired ended are breathtaking
to listen to. Not many artists could capture the sense of social
despair that Wonder could, but he pulls it off.
The gorgeous “Golden Lady” immediately follows, allowing for
some of Stevie’s best vocal work on the album. Then of course,
comes “Higher Ground.” Man alive, if you could define funk with one
song, this would be it. There’s no way to resist its bouncing beat
and strong rhythm.
The aforementioned songs were favorites of mine from the very
first listen, while some were growers. “Don’t You Worry ‘Bout A
Thing,” was one such track. However, I was quickly won over by its
Latin-inspired beat and the incredibly catchy refrain. While the
subject material is a little bleak, “Jesus Children Of America,”
most definitely falls under the category of a “deep track.” The
social indignation Wonder expressed during “Living For The City” is
reprised here, except the tone is much harsher. Mix that with the
sound of “Higher Ground,” and you’ve got a standout track.
I really wanted to give this album an “A” but there are a few
songs that just don’t sit with me. However, don’t let that stop you
from picking up
Innervisions. There are plenty of brilliant bits that make
you sit up and wonder how it’s possible one man can be so
gifted.