Published on Jan 2, 2004
This is a Tale Of Two Albums, And The Bargain Bin That Holds
Them.
Kansas’ work in the 1980s is notoriously spotty. The reason for
this, frankly, is that Kansas’ lineup was notoriously flexible at
the time, with the Amazing Disappearing Steve Walsh (Kansas’
longtime lead singer, who left after
Audiovisions and didn’t return until
Power), the Amazing Disappearing Kerry Livgren (who decided
after 1983’s forgettable
Drastic Measures that it was easier to go be a contemporary
Christian recording artist than turn Kansas into a CCM band), and a
parade of lead guitarists. The best two CDs from the Decade Of
Scary Hair, however, have to be
Power and
In The Spirit Of Things — and even at that, there’s no
Somewhere To Elsewhere or
Point Of Know Return here.
So why bother to review them? Because, dammit, there’s half a
good CD here, and it deserves noticed. While it isn’t quite the CD
that Kansas wanted or needed — a mega-hit following up the
relatively popular
Power might have caused a chart resurgence — it’s worth a
longer look.
In a curious pairing,
Spirit is produced by Bob Ezrin, best known for his work
with Kiss and Pink Floyd. While in theory Ezrin seems a perfect
pairing for Kansas’ late-80s sound — power rock with most of the
progressive excess stripped out of it — in practicality
Spirit sounds flat and two-dimensional, even on CD. The
lower end of the CD’s sound is oddly muffled and muted, turning a
couple of tracks that could have been really good (“One Man, One
Heart” and “I Counted On Love”) into pseudo-Loverboy mediocrity,
and the top end echoes like a Boston CD, five guys singing in a
swimming pool. Kansas should have kept Andrew Powell from
Power. Add in a couple of tracks that seem written
specifically for EmptyVee rotation and Top 40 mindlessness —
“Inside Of Me” and “Once In A Lifetime” (which gets some sort of
booby prize for one of the Bottom Ten Power Ballad keyboard intros
in history) — and there’s a couple of downright painful moments on
Spirit.
So there’s the bad — where’s the good? That’s easy. Anything
members of Kansas actually wrote and Ezrin didn’t screw up, and the
guitar work of Steve Morse. In
The Spirit Of Things was the swan song for Steve Morse’s
involvement with Kansas, and his rapid-fire ascending-chord guitar
work is as always a joy to listen to. . “Ghosts/One Big Sky” is a
brilliant, bright, and powerful CD opener; “House On Fire” really
rocks; and the last four tracks of the CD, from “The Preacher” to
“Bells Of Saint James”, are some fine, fine music.
Thusly, the tale of two albums; half of
Spirit is really prime Kansas, without being weighed down by
some of the overblown progressive cliches and with Morse’s
magnificent guitar, and half is mass-label power-ballad crap. And
frankly, it’s hard to say who gets the blame. My vote goes for MCA
Records, who never understood how to promote Kansas and from all
appearances kept trying to turn them into Night Ranger. This just
proves my theory that big-label A&R men are the devil incarnate
— but I digress.
At any rate, last time I checked
In The Spirit Of Things was a bargain bin special. If you
see it, pick it up; for half price, you get half a really good CD
— and if you can use your CD player’s programming ability, you’re
set.