Published on Sep 9, 2000
“Eat It” was the song that made “Weird Al” Yankovic a star.
In 3-D, his second album, was the vehicle that carried him
to that level of fame – and it showed how much Yankovic and his
band had improved and matured since his debut release.
Yet somehow this album has been forgotten by time, though “Eat
It” has taken on a life of its own. Even I was surprised by my
realization that it had been years since I had listened to this
disc in its entirety. (There was a time, when I was 14 years old,
that you would have had to held a gun to my head in order to get
this record off my turntable.)
Even today, as we inch closer to the 20th anniversary of
In 3-D‘s release, many of the jokes are suprisingly fresh,
although this isn’t a perfect album. Still, Yankovic comes
close.
Parody-wise, Yankovic still always managed to throw a different
loop into the music to make it sound different than the song it was
based on. (I happen to like the fact that Yankovic now writes
parodies to sound exactly like the original song.) As a result,
“Theme From Rocky XIII” doesn’t have the crispness as the original
song from Survivor did, “The Brady Bunch” is sped up (in both tempo
and pitch) from Men Without Hats’s “The Safety Dance”, and “Eat It”
takes Michael Jackson’s “Beat It” and raises the pitch.
Now, this in and of itself is not a bad thing. But sometimes,
you may think that Yankovic is having a little too much fun. Listen
to “Theme From Rocky XIII” and the off-the-cuff vocal delivery.
It’s almost like Yankovic is having trouble refraining from
laughing at his own jokes.
You must think I’m in a mood to grill
In 3-D with comments like that. Actually, I still love this
album. “Eat It,” in all its glory, is still a hilarious song that
shows Yankovic to be a master of his craft, while “King Of Suede”
is possibly one of Yankovic’s best parodies that has been forgotten
by the passage of time. (Does anyone even remember that this was
the follow-up single to “Eat It”?)
If there are any surprises on this album, it’s in the quality of
Yankovic’s original material. Tracks like “Midnight Star,” “Buy Me
A Condo” and the epic “Nature Trail To Hell” all are well-written,
well-executed tracks, and they shine as brightly today as they did
when this album was first released. (Pop quiz: Can anyone tell me
what the backwards message on “Nature Trail To Hell” says? E-mail
me with your answer.)
In fact, there is much improvement on
In 3-D that wasn’t there on
“Weird Al” Yankovic. The production is much cleaner, the
band is musically tight, and the songwriting has improved. All in
all, this disc held out the promise that Yankovic was destined for
greatness… but we’ll have to see if he was able to carry that
momentum forward when we review
Dare To Be Stupid.