Published on May 17, 1997
Long touted by rock critics and ignored by the record buying
public, Graham Parker was a key figure in the mid to late 70’s rock
scene.
Howlin’ Wind, Parker’s debut, bristled with a manic energy
and personal anger that predated the punk movement that soon
followed.
Like most punk bands, Parker sounds as if he needs rock n’ roll,
declaring “I feel like I’ve been a living to die, but when that
rhythm plays I don’t know how to cry.” He boasts a far more
sophisticated musical attack than those (generally) stylistically
limited bands, however, owing more to the r & b of prime Van
Morrison and 50’s rock n’ roll than The Stooges or Velvet
Underground. His heavy Cockney accent also paved the way for bands
such as The Sex Pistols to rail about societies ills in a defiantly
British manner.
Another obvious influence on Parker is Bob Dylan; both share a
knack for clever wordplay (example: “I’ve got a lady doctor, she
kills the pain for free, oh there ain’t nothing wrong with me.”)
and seek catharsis through song. Fortunately, Parker is more
lyrically straightforward than Dylan, though he unfortunately
shares with Dylan a tendency to become lyrically repetitive,
especially come chorus time.
Although Parker isn’t a spectacular singer, his voice more than
capably coveys his thoughts with a knowing intensity. His backup
band, The Rumour (Brinsley Schwartz, Bob Andrews, Martin Belmont,
Stephen Goulding, Andrew Bodnar), isspectacular, providing perfect
atmospherics on the mellower numbers while lashing out along with
Graham on the up tempo rockers. Especially noteworthy is the
swinging rhythm section anchored by Bodnar’s melodic bass work and
the alternately swirling keyboards and sprightly piano, while the
horns are inventively arranged and performed, creating a
full-bodied sound.
Howlin’ Wind is an album that repays repeated listens and
hasn’t dated one iota, unlike many 70’s artifacts. It is a
heartfelt triumph by a brash young man with the talent (and the
band) to fulfill his lofty ambition. Although it falls slightly
short of being a great album since it boasts consistently good
rather than great songs, personal favorites being “Silly Thing,”
“Between You And Me,” “Howling Wind,” and “Don’t Ask Me Questions,”
Howlin’ Wind confidently announced the emergence of a fully
mature artistic force, and I highly recommend it.