Published on Jan 17, 1997
When you have a catalog that spans over 60 albums and 30 years,
how do you choose one item to highlight?
When your subject is the late Frank Zappa, this isn’t an easy
question to answer. I could have dug out the token “best-of”
collection,
Strictly Commercial, but that’s basically just a primer for
those wondering what Zappa was all about.
So why not start with an album that many Zappa haters would be
surprised to find they would like – the jazz-tinged, mostly
instrumental
Hot Rats from 1970? If there was any album that truly
defined who Zappa was as a musician, this would be it.
The opening number, “Peaches En Regalia,” is a perfect example
of the mastery Zappa had over the guitar, his backup band and the
studio. Over 25 years since it was released, it still sounds as
fresh today as when the record first came out. Ian Underwood’s
one-man horn section adds to the track, as does the frantic
drumming of Ron Selico. (
Hot Rats features an incredible array of musicians,
including Jean-Luc Ponty and Shuggy Otis.)
And let’s not forget the now-sadly-neglected Captain Beefheart,
who contributes the only vocals on the album on the song “Willie
The Pimp.” Never mind that you probably wouldn’t understand him
without a lyric sheet, the rawness of the vocals (and whoops and
screams) actually add to the song. Zappa’s guitar lines are
incredible on this one.
For the Zappa-literate, the track “Son Of Mr. Green Genes” will
be a flash from the past; the song is a slower, more drawn-out
version of “Mr. Green Genes” from the classic album
Uncle Meat. Again, Underwood’s wind section contributes a
mood to the track that can’t be described.
The remaining three tracks are good, but do not stand out like
the first half of
Hot Rats. You may need to break up listening to the almost
17-minute track “The Gumbo Variations” into two or three listens,
but it’s worth the effort. “Little Umbrellas” is also an
interesting change of pace on the album.
Hot Rats, along with the remainder of the Zappa catalog, was
remixed shortly before his death in late 1993. My version is the
1987 remix (I’d update it, but the NEA cancelled funding to the
Pierce Memorial Archives. See if I ever vote Republican again), but
purists may still find decent copies of the original mix floating
around used record stores.
Zappa’s catalog is quite varied, and not everything will appeal
to everyone.
Hot Rats is probably the one exception, and is worth adding
to any music collection.