Published on Aug 4, 2000
I don’t profess to be a connoisseur of jazz. Far from it. So why
should I even attempt to review
Hot by the Squirrel Nut Zippers? Well, I’ll tell ya. It’s
because I love the album and millions of fans love the album and a
large portion of them don’t know a stitch about jazz either!
There is a magical allure to SNZ: A group of twentysomethings
from various local alternative bands thrown together in a huge
farmhouse in North Carolina and later emerging with a Prohibition
Era Jazz sound so authentic you’d think that they’d tripped in a
Time Machine.
When
Hot came out in 1996, it joined the crowd of retro swing
bands which had their young audience hoppin’ and boppin’ to their
grandparents’ music. Bands like Big Bad Voodoo Daddy and Cherry
Poppin’ Daddies tapped into the Swing Revival and helped accelerate
it’s ascent. These acts were fun and lively, but there was always
the air of novelty about them.
Hot, on the other hand, emanates sounds that are meatier and
a bit more authentic.
What Squirrel Nut Zippers are dishing up is a jazz style made
popular around the 1920’s and 1930’s. Known as Hot Jazz, it has its
origins in New Orleans. Someone did their homework because this
album simply effervesces with that vintage jazz sound.
Hot, with its low key production, has an intimate feeling.
It almost sounds live without the distraction of crowd noise.
The album highlight is undoubtably “Hell”. It is impossible to
sit still during this calypso spiced song. With its attack of fiery
horns and just plain wicked xylophone playing, this song was a
refreshing delight on the airwaves in ’97.
Vocalist Katherine Whalen gives it all she’s got on “Put A Lid
On It”. And she lays it on sweet and subtle in the enchanting
“Meant To Be”. There are parts of “Prince Nez”, however, where she
seems to work her voice to the breaking point. But it’s still a
great vintage duet.
There are some mean swingin’ instrumentals that could get the
dance floor hoppin’ at any venue, especially the steaming “Memphis
Exorcism”. This is certainly one batch of talented musicians who do
complete justice to hot jazz with every note offered. Whalen’s
banjo picking is remarkable since she is relatively a newcomer to
the instrument. The horns (Tom Maxwell, Ken Mosher and Stacy Guess)
have the tight yet lackadaisical air of a veteran jazz band. Chris
Phillips drumming goes from subtle to absolutely primal. James
Mathus (guitar, piano) and Maxwell share vocal duties and do a
splendid job.
You don’t have to be a jazz genius to appreciate this gem of an
album. You might even be tempted to go further and seek out the
original musicians of the hot jazz era. Just let the Squirrel Nut
Zippers lead the way.