Published on Mar 14, 1998
It sometimes is difficult to watch a band that was huge in the
’70s struggle through into their second and third decades. The
longtime fans will pooh-pooh any attempt the band in question makes
to try and update their sound, while the younger generation would
ridicule any throwback to the older days as signs of being a
“dinosaur”.
Such was the fate of Bad Company in 1990.
Holy Water, their third album since reuniting, tries to
recapture some of the band’s early glories while moving towards
popular rock. The end result is kind of a successful failure.
Let’s face one fact head on: lead singer Brian Howe would never
live up to the older fans’ expectations, and would never adequately
replace Paul Rodgers. And in one sense, Howe doesn’t try to do so;
instead, he had spent all his time to this point trying to carve
out his own niche with Bad Company – which by now only had two
original members, guitarist Mick Ralphs and drummer Simon
Kirke.
Ah, but the younger generation was starting to win control,
having turned “No Smoke Without A Fire” off
Dangerous Age into Bad Company’s first hit since “Rock ‘N’
Roll Fantasy” in 1979. So,
Holy Water was the album created to satisfy a demand.
And in retrospect, you really can’t knock the hit single “If You
Needed Somebody,” a song which is still an addictive track eight
years after this album first hit the bins. The acoustic guitars
building into the powerful chorus work well here, and Howe’s voice
is perfectly suited for the occasion. The follow-up single “Walk
Through Fire” has not held its mettle as well with the passage of
time, and is now a passable track.
But the hidden treasure on
Holy Water is “Boys Cry Tough,” a song about love which is
lost in a tragic way and the other person’s attempt to come to
grips with the facts. Again, it is Howe’s vocals which create the
magic this track has. Why this one wasn’t released to radio I’ll
never understand.
Kirke even takes a turn on the microphone and the six-string on
the album’s closer “100 Miles”… and he does one hell of an
impressive job. The only negative is that this track is under two
minutes in length; I wouldn’t have minded having this one stretch
out a little longer.
Unfortunately, this is where the praise stops for
Holy Water. The remainder of the album is formulated
cookie-cutter AOR that will satisfy neither older nor younger
generation. The title track fails to go anywhere, and is not the
ideal way to kick off the album. “Fearless” is an example of what
happens when an attempt to write a hit single goes horribly wrong,
while “Stranger Stranger” is a somewhat better effort.
The true tragedy of
Holy Water is that many of these tracks could probably have
been somewhat decent, but the energy level of this album is next to
nil. The band truly sounds like they’re going through the motions
on most of the disc – and if the band sounds bored, you can bet the
listener will be.
Holy Water could have been a much better album, one that
could have bridged the gap between two generations of Bad Company
fans. Unfortunately, you can’t build a bridge with only two or
three good songs, you need a solid album – and this ain’t the
one.