Published on Oct 20, 2000
Sometimes, it’s fun just to kick back and enjoy a CD without
having to think too much. Wire your brain into your feet,
disconnect your worry and analysis glands, and have yourself a good
time. For me, at least, a prime musical form to do this with is
Western swing, and Vancouver-based Ray Condo & His Ricochets is
pleased to oblige my musical slacking.
This is not to say that swing is brainless. On the contrary,
it’s a complex, textured music; especially adding in the jazz,
roots, and blues notes Condo and his band are fond of.
High And Wild is a well-done piece of work, enjoyable, fun,
and worth looking into.
Condo is a longtime veteran of the music scene (first recording
in 1966) and his background includes country, punk, rockabilly,
R&B, pop, and swing. In 1994, he put together the Ricochets,
made up of a collection of established musicians from the Vancouver
area.
High And Wild is their third CD.
The production is excellent, playing up the band’s sound well,
though it’s a little flat and brittle – perhaps to add a sound of
authenticity to the material. The musicianship is excellent – it’s
hard to decide who to single out for special kudos, but I have to
mention the intent, steady, thrumming beat of Pete Turland’s
standup bass (especially on “Whatcha Gonna Do When There Ain’t No
Swing”, originally recorded in 1947) and Stephen Nikleva’s talented
lead guitar.
There really isn’t a bad track on
High And Wild. Worth special attention is “Fort Worth
Stomp”, the rockabilly-tinged “Baby I Don’t Care”, a neat cover of
Connie Francis’ “Many Tears Ago”, and a
truly…original…version of Cole Porter’s “What Is This
Thing Called Love?” On a couple of listens, I probably could have
skipped past the Gene Vincent cover “I Flipped”, but that’s a minor
quibble.
Overall,
High And Wild is an excellent example both of traditional
Western swing and of swing with a twist (several twists, in fact).
Kudos to Ray Condo & His Ricochets for a truly wonderful trip
into musical history.