Published on Jan 25, 2001
Like many other people in North America, I first heard of this
band and their music due to the inclusion of two of their tracks on
the
Lost Highway soundtrack (1997), both of which were taken
from
Herzeleid, their debut album. At the time I was quite
intrigued by their sound, which I would describe loosely as Wagner
on crack!
The band’s name translates into “ramming stone”, which I must
say is quite an apt description; they are about as subtle as an
atomic bomb. Their signature sound is an inspiring combination of
very crunchy, heavy, dark, metallic guitar riffs, interestingly
layered electronic loops alongside surprisingly poppy, almost ill
advised melodic keyboard passages and sound effects, straight
forward pounding drumming, and a very low, almost robotic vocal
delivery that come chorus time spews out wonderful melodies that
seem to draw heavily from the dramatic Wagnerian German romantic
classical period. It’s a fascinating sound, although the formula
does not change much from song to song.
The first track, “Wollt Ihr Das Bett In Flammen Sehen” (Do You
Want To See The Bed In Flames) starts with a simple, almost
disco-like beat with the keyboard playing the main riff for several
bars before the ultra heavy guitar sound takes over, playing the
same melody. It sets the dark tone of the album immediately and
never lets up…listening to Rammstein is somewhat like a
relentless Panzer assualt rolling over your helpless head! You
can’t help but sit up and take notice.
The same pattern continues for the next three songs, “Der
Meister” (The Master), “Weisses Fleisch” (White Meat), and “Asche
Zu Asche” (Ashes To Ashes)…they all have the relentless brutal
attack with interesting electronic keyboards and the robotic yet
catchy vocals. Then we have “Seeman” (Sea Man), which is an
unexpected change of pace! It’s a soft ballad with a gorgeous
melancholy, almost sentimental melody, but without sounding very
commercial or sappy. Very nicely done, with an interesting finger
picked melody courtesy of the bass player. It shows a dimension
that you wouldn’t think this sort of band could possibly have.
“Du Riechst So Gut” (You Smell So Good) is a mid tempo hard
charging song which has a few more captivating melodies and parts
to the song to make it more interesting than the standard
ones…there’s even a violin in there! Another noteworthy song is
“Heirate Mich” (Marry Me), a very dark sounding gothic tune before
it explodes into headbanging fury! It’s one of their best songs,
and was one of the two on the
Lost Highway soundtrack…in part of the chorus there’s even
a repeat of “Hei”, the first three letters of “Heirate” in what I
think is an obvious attempt to play up their fascist image…these
guys have fun!
After that, there are a few more solid, yet not really
noteworthy songs, “Herzeleid” (Sorrow Of The Heart), and
“Laichzeit” (Time of the Corpses). The last track was the other one
on
Lost Highway, simply called “Rammstein”, and this is a very
slow, plodding tune with a sludgy, heavy riff that recalls the best
of Black Sabbath. Very dark, but a bit slow for my tastes.
As for the lyrics, they are all in German and deal mostly with
twisted subject matter, but a surprising amount are rather sexually
perverted…they are a rather amusing band!