Published on Dec 31, 1998
You can harbor any opinion you want about the Eagles’ big-buck
reunion tour of a few years ago. But I think that Glenn Frey and
company blew it big time when it came to
Hell Freezes Over, the combination live package and new
studio track offering from 1994. They blew it in that they could
have easily picked up their career as a band and kept going, based
on the strength of this material.
After what the band called a “14-year vacation,” they came back
strong with four studio tracks, covering all bases from rock to
ballad to country-folk. “Get Over It,” the first single, is a
rollicking little number that dares to call those mutants who go on
Jerry Springer to accept their faults as their own, and to get past
them. (Best line from the song: “I’d like to find your inner child
/ and kick its little ass.”) But the true beauty of the reunion
comes forth in the two ballads, “Love Will Keep Us Alive” and
“Learn To Be Still,” songs that showed so much promise of what
could be had the band continued to record together.
Then, there is the live portion of the show. While a few moments
of this set do drag a bit, there is enough new life injected into
some of these songs to make them sound brand new. Case in point:
“Hotel California,” now done in a flamenco guitar style.
Personally, I think this version blows the 1976 electric guitar
version away. To hear Don Felder, Joe Walsh and Frey playing with
such zest on a style of guitar we’re not used to hearing from this
band is jaw-dropping.
While you’ll probably think of some favorite from the past that
didn’t make the cut for
Hell Freezes Over, there are enough chestnuts from the
Eagles’ archives to put a smile on your face. Whether it’s the
excitement of hearing “Take It Easy” again, or Walsh’s wonderfully
nasal rendition of “In The City,” even to the mournful finale of
“Desperado,” this is a live album par excellence. (The only change
I’d make would have been to leave off “New York Minute,” a snippet
from Henley’s solo career, and put “Best Of My Love” on in its
place. Then again, they
did let Walsh do “Pretty Maids All In A Row,” so maybe this
is justice being done.)
I guess my one complaint with this album is that it’s too short.
After people waited 14 years to hear one of America’s best-loved
groups perform again, they could have at least put out a package as
grand as the tour that hawked it. As much as I’m not a big fan of
double live albums (mainly because they always seem to be
overkill), this is a show that begged for the big-package
treatment. Or, I would have been happy with one disc live and a
full studio album to balance it out. The talent was
there, and it hadn’t been diminished. (Then again, maybe
someone in the Eagles camp will read this and decide to give the
studio another shot.)
Hell Freezes Over is one of those rare live albums that
captures the mood and the moment well. The studio tracks serve as a
cruel teaser, seeing that the band apparently is on cold storage
once again. But if these performances tell anything about the
Eagles, it is that they took their vacations way too soon. Here’s
hoping they’re stamping their return tickets home right now.