Published on Oct 3, 2001
I am not the world’s biggest Stephen King fan. Nothing against
the man, mind you. I’ve tried reading a few of his books – I read
The Stand after finding out the song “Among The Living” by
Anthrax was partially based on it – and just couldn’t get into his
work. I saw
Maximum Overdrive (mainly because AC/DC did the soundtrack),
and couldn’t believe how terrible it was. (In all fairness, though,
I absolutely love
The Shawshank Redemption – one of the best films I have ever
seen.)
All of this said, you might understand why I have not seen the
movie
Hearts In Atlantis, the latest film based on one of King’s
stories. However, I absolutely love the music – a combination of
early rock music and neo-classical pieces by Mychael Danna. It’s
sentimental at the right moments, and a beautiful kind of creepy at
others. If King himself wrote music, I’ll bet he’d have created a
mixture like this. (Let’s just hope he wouldn’t have hired the Rock
Bottom Remainders to perform the songs.)
Let’s first focus on the original pieces. There are only four
such selections, wisely interspersed among the more familiar
material, but they convey a sense of simpler times many years ago –
a time when you could leave the doors to your house unlocked
without fear.Yet at times, especially in pieces like “Summer
Vacation” and “The Hill,” there are moments when the music turns
ominous – from my reading of reviews of the film, most likely these
come at appropriate moments in the plot. But Danna never keeps
things dragging, thus allowing the music to evolve at its own pace
while keeping the listener’s interest.
I have but one complaint regarding Danna’s work: why not
emphasize the work of the glass harmonica? I tried to pay attention
to hear when it kicked in, and I think I pegged it at certain
times, but it’s such a hauntingly beautiful instrument that I’d
have been just as happy to have heard more of it in the mix.
The more familiar material from
Hearts In Atlantis comes from the early days of rock music,
when it was still evolving from doo-wop. Chubby Checker (“The
Twist”) and Chuck Berry (“Carol” – surprisingly, a song I wasn’t
familiar with) are here, as are three selections from The Platters
– a group whose significance has sadly faded as time has passed.
Listen to songs like “Smoke Gets In Your Eyes” and “Only You (And
You Alone)” and discover just how important this group was to the
development of popular music. (Plus, any chance I get to listen to
Santo And Johnny’s “Sleepwalk” is time well-spent.)
John Bissell’s production of this album helps to bring
everything together; the weaving of time-honored classics with
Danna’s original score is a very nice touch which keeps the
listener interested. (As good as Danna’s work is, had these
selections been kept to themselves on the disc, I honestly think
they wouldn’t have had as much power.)
Hearts In Atlantis is the ideal kind of soundtrack, not only
because you don’t have to have seen the movie to appreciate the
score, but also because it’s the kind of disc you can put on the
stereo at any time to just relax to. At a shade under 38 minutes,
it’s a relatively quick listen, but you’ll find not a second is
wasted.