Published on Jun 20, 2006
Few albums, documentaries or movies can be called
“instant classics.” Usually, the classic status is bestowed upon a
work of art after a certain amount of time and debate elapses.
Movies and music initially panned, such as The Beach Boys’ Pet
Sounds and Ridley Scott’s Blade Runner, became
standard-bearing classics years after their release.
Coincidentally, works that were given that “instant classic” rating
when they were initially released sometimes fall under the weight
of their own hype (see R.E.M.’s Monster or Dances With
Wolves).
Still, with one viewing of its initial theatrical
release and the DVD release, it’s safe to put Neil Young’s concert
documentary Heart Of Gold on the short list for “best
concert movies of all time,” right up there with the Talking Heads’
Stop Making Sense (both documentaries were directed by
Jonathan Demme).
Demme knows when to get the production out of the way
and let the story tell itself. With Heart Of Gold, he almost
has a perfect concert movie setup handed to him: a rock legend
records what many critics consider one of his best albums before
going in for surgery for a potentially fatal brain aneurysm — and
on one glorious night, he gathers up a group of musical legends and
performs the album in the Ryman Auditorium in Nashville, Tennessee.
To add to the perfection, the moon gave off almost a heavenly
reflection that night.
Of course, great directors make it look like anyone
could direct a movie like Heart Of Gold. Demme relies on
close-ups and campfire-warm lighting to give the movie an intimacy
that few dramas can reach. As the camera pans in on Neil Young and
Spooner Oldham’s weather worn faces, you can’t help but imagine the
stories they could tell you of their heyday in the 1960s and
1970s.
Emmylou Harris’ vocals are as beautiful as Neil
Young’s are distinctive throughout Heart Of Gold. Though
much of the documentary draws from Neil Young’s Prairie Wind
album, old standbys such as “Harvest Moon” and “Old Man” are also
performed.
Nostalgia runs heavy throughout Heart Of Gold.
From the traditional, almost frontier-like dress of the backup
singers to Emmylou Harris’ wish that the developers of a high rise
in Nashville be arrested because when built, the high rise will
block out the skyline view from the Ryman Theater, Heart Of
Gold romanticizes a bygone era. Baby boomer haters may sneer at
this type of nostalgia, but Heart Of Gold is a movie that
proudly refuses to be for everyone. Watching Heart Of Gold,
viewers do have to surrender a bit of cynicism and believe in the
transcendence of music.
Those viewers who wisely wait until their favorite
movies come out with deluxe or director’s editions needn’t worry
with Heart Of Gold: The movie comes packed with extras. The
second disc contains revealing interviews from the players and Neil
Young. In one interview, Neil Young looks around at some of the
noted landmarks around Nashville during the world movie premiere of
Heart Of Gold and says:
“I’m getting smaller and smaller … I’m not as
huge anymore. I felt like a leaf on a river.”
While that may be true, Heart Of Gold captures
the power of an album that few critics may have dismissed as
another “artist facing their mortality” record. And true to Neil
Young spirit, he has ridden the folksy momentum from his album and
this documentary and released an amped-up protest album, Living
With War. During Heart Of Gold, Neil Young wondered
aloud what Hank Williams Sr. would think if he saw the development
outside of the Grand Old Opry. If he’d been in the audience that
night, guesses are Williams would have been pretty proud.
[Editor’s note: The good folks at Special Ops
Media also provided us with a link to this nifty
e-card promoting the DVD.]