Published on Aug 2, 2000
No one likes Patti Smith’s new album.
I’ve read reviews, I’ve asked people who have purchased her
albums (the two people that I know) and sadly, by looking at the
charts. People who have bought
Gung Ho, her latest album, have either raved about it or
have little praise for it. Ah, the hell of living in the shadow of
a classic album.
When Patti Smith recorded
Horses nearly 25 years ago, there were far more barriers to
break down and it was a helluva lot easier to shock people. True,
hearing her bellow, “Jesus died for somebody’s sins, but not mine”
still gives chills up my spine, but face it, you can’t expect her
to re-create that environment. Nor should we expect such a gifted
artist to be complacent with repeating a formula.
That’s not what Smith is about. And
Gung Ho shouldn’t be compared to
Horses or even
Easter. Taken as an individual work,
Gung Ho is a gorgeous album that is a welcome addition to a
year that has been dominated by boy bands and lame metal/hip hop
hybrids.
Smith retains most of her band from
Horses, mainly Lenny Kaye on lead guitar and Jay Dee
Daugherty on drums. But it’s not a “let’s get the band back
together” type of album.
Gung Ho is a new version of Patti Smith, different even from
her persona on
Gone Again, her 1996 comeback album.
The new Smith and her bandmates bring in include dabbles in
dance rhythms in songs like “Persuasion” and “Glitter In Their
Eyes” and a new focus on straight-ahead song structure, such as the
beautiful, “Lo And Beholden” and “New Party.” Catchy is one word
that I would never associated with Smith, but there are at least
six tracks on
Gung Ho that will no doubt linger in your head once the
album has ended.
Nostalgia creeps into
Gung Ho. Many of the songs have scattered references to the
Vietnam War. And “New Party” calls for a political party that
better represents the people. Smith cracks, “Why don’t you
fertilize my lawn, with what’s running from your mouth” on this
song. As good as her intentions are, the song is a rant about
“those clowns in congress.” Sorry, but politicians are fairly easy
targets. Her powerful poet-delivery voice resonates in “Strange
Messengers,” but her tying the horrific imagery of slave ships and
her damnation of those who have wasted their heritage on smoking
crack is a bit far reaching, even for her.
Still, I’ll take over-ambition over complacency any day. And
Smith’s looseness has given her a renewed confidence you can hear
throughout the album. The tribal beats that close “Gung Ho” close
with Smith breathing out, “Give Me One More Turn.” She is
reflecting on revolution, via personal or an organized formation.
And her unfortunate departure from Arista makes one wonder if
Gung Ho may be her last full testament put to record. If it
is, then Clive Davis, former head of Arista Records, has reason to
be proud.
No, it’s not a revolutionary album. Just a flat-out good
recording that is one of the best of the year.