Published on May 8, 2000
I can’t remember the last time I heard a CD that really made my
jaw drop in excitement. This is what happened when I first heard
the latest CD from the Nashville rock band The Shazam. Oh, I have
heard plenty of excellent, well-crafted CD’s lately, but not one
that really got my heart racing like this one. Their debut CD was a
wonderful slice of hard-edged power pop sounding like a cross
between Cheap Trick and The Replacements. Now this second CD,
Godspeed The Shazam, ups the ante by showing both musical
and songwriting growth by leaps and bounds.
On the musical side, it’s as if the band listened a lot to late
60’s Beach Boys and early 80’s XTC and Rain Parade before recording
their new CD, as they have developed a quirky, somewhat psychedelic
sound. They have somehow done this without losing the edge that
made the debut CD so good. For example, “RU Receiving” sounds like
Cheap Trick doing a cover of the early XTC song “Are You Receiving
Me?” managing to capture the essence of two very different bands
beautifully with no musical whiplash. No small feat.
Their Brian Wilson influence is very evident on songs like
“Calling Sydney” bringing an unlikely rock instrument like the
tympani drums into the fold. And “Sparkleroom” has overt references
to Wilson and his Beach Boys both sonically and in the chorus with
the lyric “Come on surfer girl.” Of course, not being a ’60s band,
they inject these songs with a bit of cynicism.
The Shazam also displays a very silly side to their music.
“Chipper Cherry Daylily” is a very weird sendup on psychedelic
music recalling David Bowie at his strangest. “City Smasher” is a
harder edged curiousity displaying an almost Monty Python-like
sense of humour. These two songs may be a little over the top, but
they do show a lot of imagination. Producer Brad Jones does a great
job making every song on the CD sound unique.
However,
Godspeed The Shazam isn’t just about great arrangements. The
Shazam’s lead singer and songwriter Hans Rottenberry has written
one of the best songs I’ve heard in a while in “Super Tuesday,”
using the political primaries as a metaphor for a sagging
relationship. He also manages to drop the cynicism for the earnest
but clever love song “Some Other Time.” The midtempo ballad “The
Stranded Stars” also shows Rottenberry’s tender side as well.
The Shazam finish the CD with two very different type of songs:
a moody piece called “Better World” which shows they listen to Big
Star as well, and the Replacements-like rocker “Gonna Miss Yer
Train,” which is there to remind the listeners that they haven’t
forgotten how to do a straight rock song.
In short,
Godspeed The Shazam is an impressive tour de force that has
a little something for every pop fan. Very rarely have I come
across a CD with such creativity all the way through. It is really
a shame that they have gone unnoticed by the public.