Published on Mar 2, 1999
Following her album
Destiny (which saw her reign as one of the queens of the
1996 Atlanta Olympics) Gloria Estefan decided to draw back from the
subtle, acoustic side and return to her “diva” place. This album
marks that return. Particularly, there’s a very and definite 70s
vibe to
Gloria! that has become popular with many other singers and
“divas.” (I find that term to be both amusing and annoying, don’t
you?)
The album starts with the flamboyant “Heaven’s What I Feel.”
Here she sings about loving someone – even though they’re both in
full-time relationships (Emilio, should you start worrying?) The
song is pretty enough to be liked by teenage girls and danceable
enough that older ladies will instantly recognize and like its
vibe. As a matter of fact, that kind of attitude pops in other
tracks. “Don’t Stop” and “I Just Wanna Be Happy” are two other
songs that are easy to like, but won’t annoy you. They are sugary,
but not to the point of fattening.
Another thing I’ve always liked about the Estefans is their
desire to always mix in the sounds of the Raza. (It’s OK for me to
say it – I’m a card-carrying member, 😉 ). Partly, it is because a
large percentage of her fan base is Hispanic, that’s true. However,
she does not shy away from putting music that often times is
ignored by the music fans here in the U.S. Here, she sings “Oye” in
Spanish – I have yet to see Celine add a French song to her big
English albums. On the other hand, “Cuba Libre” sings about the
feelings many of the expatriates of that island feel – hoping for a
day that they’ll be able to return home.
I don’t, unfortunately, agree with a few calls. I know that
Wyclef Jean is an incredible musician. But his contribution to
“Don’t Release Me” doesn’t sit well with me. On one hand, that song
tries to be a syrupy ballad, a club number and a rap song. Stick to
one direction! On the other, Wyclef raps about meeting Gloria at a
club – which would be fine in a full-on rap number between them
both. But here it feels like they did separate pieces and tacked
them later on.
My second gripe goes to the number of remixes found at the end
of the album. I don’t mind one or two, but
five?! That’s why there’s singles – you tack them onto
those. I think I stated this on the Shania Twain review, but I’m
not a big fan of artists adding 20 songs on one CD if there’s
nothing relevant to say or do in each song. This drags down a CD.
At the very least, they were smart to add these remixes at the end
of the CD – where, if you don’t want to listen, you can stop the
album.
However, these two gripes at least don’t bother me that much.
When the album is good, it is. “Real Woman” is at least amusing and
then there’s those small songs that guys play to girls around
February 13th I think. “Don’t Let This Moment End” is very pretty
and so is “Touched By An Angel.” (Better than the TV show I’d say!)
They feel like they belong at a junior or senior prom–right before
the BIG number.
Gloria! should cement Mrs. Estefan’s place as a Club
Goddess. She is showing to the upcoming “divas” that they don’t
have to appeal to the “Under-17” group only. There can be club and
rave tracks and they can appeal to more than just its targeted
group audience. A fine record.