Published on Oct 5, 2008
Just where in the hell did smooth jazz come from?
My guess is that smooth jazz is the direct result of studio players who during the 1970’s didn’t really have any sort of creative outlet when they weren’t playing on Steely Dan records. So they’d occasionally get together, jam for hours, and then realize that while they couldn’t really write any songs, or sing or write lyrics, they could still come up with a pretty catchy melody. Give that melody to the guitar or the sax, layer it over some smooth bass lines and
…then BAM! Smooth jazz!
I mean, smooth jazz is really just pop, rhythm and blues without the vocal. Right? Sure it is. A ton of those smooth jazz hits would actually make some damn fine pop songs. Actually, at some point some of those smooth jazz architects crossed over, mixing the components of smooth jazz with mainstream late ‘70s/early ‘80s adult contemporary pop (otherwise known as Yacht Rock). The best and most important of these crossover artists is George Benson.
Because of the aforementioned genre with which he is most closely associated, most people will never know that
Eagle Eye Media’s re-release of Benson’s 2000
Guest appearances include the highly accomplished jazz pianist Joe Sample, the BBC Big Band, and a few musicians from the Ulster Orchestra — all of which elevate the live application of Benson’s music to total sonic perfection. Special features include a short informative documentary called The Making Of Absolutely Live, biographies, and a photo gallery.
Absolutely Live is a must-have for Benson fanatics. For the curious, this DVD would serve as an ideal introduction to the guitarist and his music. This concert makes it impossible to reduce George Benson to a maker of mindless, foot-tapping elevator music: it solidifies and confirms his position on the list of the most important American musicians of the last three decades.
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