Published on Mar 31, 1999
Is the world ready for Puerto Rican hard rock?
Why not? In a genre that too often has stagnated due to a lack
of fresh ideas, new blood is needed – and why shouldn’t it come
from other cultures?
Into this picture steps Puya, a Puerto Rican-American band who
often remind me of Rage Against The Machine meeting rapper Gerardo
in a dark alley. Their debut effort
Fundamental features some great moments, but it also shows
the pitfalls that hit any band who dare to be trailblazers.
The band – vocalist Sergio Curbelo, guitarist Ramon Ortiz,
bassist Harold Hopkins and drummer Eduardo Paniagua – merge
different cultures and musical styles into their own mix. Changing
languages from Spanish to English mid-stream isn’t uncommon (hence
the comparison to Gerardo), and you don’t need to speak Spanish to
understand the power behind some of the words. (Translations are
provided in the liner notes, but they’re so poorly laid out that
it’s damned near impossible to follow them, especially while
listening to the music.)
Being one of the first hardcore Spanglish bands is daunting
enough for Puya – but there is musical uncertainty on
Fundamental. Often, it doesn’t seem like the band knows
which direction they want to take their music. Should they sound
like Rage Against The Machine? Should they sound like a hip-hop
band? Should they throw elements of their Hispanic heritage into
the music? Or should they try to do everything at once?
Unfortunately, Puya tries to be everything to every side of
themselves on
Fundamental – bad move, because it turns out to be the
musical equivalent of taking a sportscar, revving it up to 100,
then throwing it in reverse.
Mixing Spanish and English is not the issue here; tracks like
“Oasis,” “Remora” and the title cut all show that such a mix works,
and works well. It’s that I can be listening to
Fundamental and getting into a good Rage-like vibe, only to
have things come to a screeching halt, and to have a more hip-hop
like beat come into the picture (“Whatever”).
If Puya is guilty of anything, it’s that they try to do too much
too soon on
Fundamental. Had they settled on one main musical style,
then tried to work in an occasional flavor, the album would have
worked better. But overambition gets the better of the band on
Fundamental, leaving some wonderful tracks to get overrun by
the tidal wave.
I have no doubts that Puya have a killer album in their catalog.
Unfortunately,
Fundamental isn’t it – but it’s a start.