Published on Oct 16, 2000
With the recent vacation declared by Phish (note to the
Associated Press: this was a planned break; the band has not broken
up as of this writing), it’s inevitable that their legion of fans
are going to be trolling for other similar groups to satisfy their
groove-rock fix. This is where bands like Minneapolis’s The Big Wu
will gladly fill the bill – though their most recent release (and
second overall)
Folktales shows this group still is in their growing
phase.
The Big Wu can only be described as a poor man’s Phish. They
have the trip-rock sound down pretty well, but the guitar lines of
Chris Castino and Jason Fladager don’t have nearly the fluidness of
a Trey Anastasio solo. Lyrically, The Big Wu doesn’t go as far out
on the spacey limb, but occasionally, that works to their
disadvantage, as the music almost calls for an ethereal flow with
everything.
Things start off in a promising manner with “Angie O’Plasty,”
which shows off the harmony vocals of Castino, Fladager and drummer
Terry VanDeWalker. Sometimes, they almost seem too soft in the
course of
Folktales, but everything works itself into a happy medium
on this particular number. A few other numbers, like “Elani” and
“House Of Wu” (which reminded me a lot of “Llama”) dare to suggest
that The Big Wu could well have a strong claim to the throne.
The problem with
Folktales is that these moments of piquing interest on the
part of the listener are too few and far between. Tracks like
“Oxygen” should be the ones that absolutely suck the listener into
the world of Wu. Regrettably, this just doesn’t happen. Maybe it’s
because the band is still very much learning about itself and its
surroundings. Maybe it’s because, as they claim, their songs are
always being rewritten with each performance, and neither band nor
audience can ever fully get to a level of comfort.
There was one touch on
Folktales which showed the band has a lot of class. At the
fadeout of the closing track “Shantytown” (the group’s foray into
reggae), you can hear an audience at one of the band’s shows
singing along to the chorus. Each member of that crowd is
personally thanked in the liner notes. Nice move… and something
that’s gonna be hard to do if they start playing the big sheds.
There is promise in the music of The Big Wu, yet
Folktales seems to suggest that is has been left unfulfilled
this time around. Maybe, like their genre-mates, it takes a few
albums before everything really clicks for them. Phish got it on
the third try (
A Picture Of Nectar). Maybe The Big Wu will prove the third
time’s the charm for them as well.