Published on Jan 14, 2000
I can assure you that after this review, I will go into my room
and just play AC/DC and Metallica non-stop for the next twenty-four
hours. In my quest to find new music, I have gone and reviewed my
brother’s favorite stuff. How was I to know that he was into
estrogen-heavy music?? Phew, the things I do for this web site. (Be
professional. Focus, dammit, focus!)
Standing alongside Faith Hill and Shania Twain are the Dixie
Chicks. This young trio of Southern belles came out of somewhere to
snatch the Grammy for best country album from the likes of Garth
Brooks and Twain. Tough feat for first timers. So you know that
everyone in Nashville was taking close measure of how the Chicks
would do for their second-go around. Would they strike gold (and
platinum) again or go the way of many bands and artists (into a
sophomore slump)?
Don’t fret. Unlike the other female artists with which the
Chicks are lumped, these gals are country through and through.
While there are some pop influences, you cannot compare this album
to Twain’s latest – which is more of an in-between of country and
pop. Still, this is country that is aimed for at the chicks (pun
intended). It starts with the single, “Ready To Run,” which you can
also find in the
Runaway Bride soundtrack. Like the song says, “all they’re
ready to do is have some fun.”
In fact, that fun attitude permeates most of the album. “Sin
Wagon” speaks of girls attempting to jump someone’s bones. It
actually reminded me of “The Devil Went Down To Georgia” for its
use of the violin. It’s quite amusing. You also get “Some Days You
Gotta Dance” and “Hole In My Head.” The first one reminds me a bit
too much of Twain, but “Hole” is better — actually mixing a bit of
rock into the Chicks’ country. Then there’s the
somewhat-controversial “Goodbye Earl.” Dealing with murder, the
song actually makes fun of women getting even with an abusive
husband. However, while Brooks’ “The Thunder Rolls” was
controversial, this one, I think, will slide by — it’s much
funnier than “The Thunder Rolls.”
Offsetting all that good time, the Chicks delve into some softer
and tender moments and these are the ones that make this album
worthwhile. “Cowboy Take Me Away” is very countrish and quite good.
The album closer, “Let Him Fly,” is a good track and a soft and
decent way to end an album. “Don’t Waste Your Heart” is softer and
also good. Amazingly, these two tracks seem to be polar opposites.
One deals finding love while the other is about letting it go.
Still, there are some tracks which, in my estimation, are only
average. “If I Fall You’re Going Down With Me” is more radio-ready,
but not as interesting. “Cold Day In July” is interesting, but
telegraphs its moves a mile away. On that group, you can lump
“Hello Mr. Heartache,” “Without You” and “Heartbreak Town.” They
are not bad songs, but they’re not that great. They’re stuff we’ve
already seen before.
In the end, the Dixie Chicks’ new album is tailored-made for its
audience. If you like the other big guns in country, you will enjoy
Fly. However, don’t look for originality in here. Be content
with a good time and you will like it even more. Now, to my
testosterone treatment!