Published on Sep 20, 2004
I am utterly befuddled by the decidedly negative reputation Iron
Maiden’s
Fear Of The Dark album has received over the years by the
band’s fans since its release in 1992. Never before have I heard an
album so unfairly maligned and undeserving of the criticisms often
thrown its way. “Fans” of Iron Maiden would have you believe that
this album is the nadir of the Bruce Dickinson-fronted years
(1982-1992, 1999-present), but I couldn’t disagree more
strongly.
Expecting a mediocre outing, I unenthusiastically decided to
listen to the disc for completist purposes, only to be truly
stunned by a seemingly endless run of astonishingly great songs.
This is supposed to be a dud? What the hell were/are people
smoking?
As is typical of Iron Maiden, the first track blasts out of the
gates, this time in the form of the excellent “Be Quick Or Be
Dead,” perhaps the heaviest song they’ve ever made. That grand
salvo is followed by what I now believe is the finest stretch of
songs you’ll find on any Iron Maiden album.
All of these songs strike me as being extremely well crafted,
from the fresh sounding intense riffs, to the multitude of parts
seamlessly stitched together by the inspired, memorable vocal
melodies and dynamic changes. What impresses me the most is how the
band manages to demonstrate new-found, mature compositional talents
without altering the classic Iron Maiden sound. The proceedings are
not always loud and intense the way you’d expect them to be by a
band of this nature, as there are many clean, amplified acoustic
guitar passages of a very sophisticated melodic sensibility, that
also incorporate loads of masterful musicianship. How could anyone
miss Adrian Smith when the music is this good?
Another ridiculous accusation I’ve heard over the years by Iron
Maiden fans is that Bruce Dickinson’s vocals are noticeably weaker
on
Fear Of The Dark than in the past. Listening to the powerful
chorus of “Wasting Love” tosses that theory out the window
instantly.
Many of Iron Maiden’s older albums, even the classic ones, had a
problem in the sense that the music often tended to get a bit
redundant, but that is not the case on
Fear Of The Dark. Every song is clearly distinctive, and at
least to my ears, instantly memorable. Maybe showing a bit more
diversity than in the past is one of the reasons this album was not
as well received. I personally love the slow waltz that morphs into
a truly gorgeous guitar line and then explodes into a crescendo in
“Afraid To Shoot Strangers.” Ditto the tribal, warlike drumming
accompanied by the strongly Celtic tinged guitar melody on
“Childhood’s End.” “Wasting Love” is as close as the band ever got
to a mid-tempo power ballad, but the haunting mood and soaring
chorus show they are very capable of expanding into that area.
Technically I probably could criticize the couple of slightly
generic tracks in which the band veers alarmingly close to cock
rock (a genre they had always prided themselves on avoiding) on
tracks like “Judas Be My Guide” and the strongly AC/DC-reminiscent
“Weekend Warriors,” but these songs are so damn catchy that I just
can’t do it. I also shouldn’t forget to mention that the title
track is one of the best songs Iron Maiden has ever crafted.
Really,
Fear Of The Dark only contains one woefully sub-par track,
“The Apparition.” Oh well, I’m certainly not complaining
considering how awesome everything else is.
Fear Of The Dark, a misfire by these metal legends? Complete
nonsense. All I hear is a bona fide metal classic. I’ll take this
over such highly regarded Iron Maiden albums as
The Number Of The Beast and
Powerslave any day, and it’s vastly superior to the
erroneously well-respected
Seventh Son Of A Seventh Son — a shitty album if I ever
heard one. In fact,
Fear Of The Dark is a serious contender for Iron Maiden’s
finest release in my books, along with the underrated debut. DO NOT
make the mistake of dismissing this CD.