Published on Feb 2, 1999
I honestly don’t listen to a lot of popular r&b music these
days, for the simple reason that I never did develop that much of a
taste for it. I’m not saying I don’t appreciate a good song when I
hear it, it’s just that I don’t go out of my way searching for the
latest releases, say, by Bobby Brown or R. Kelly.
The soundtrack to the movie
Down In The Delta could change all that for me. The sixteen
tracks on this release highlight a lot of great performances, and
is a wonderful primer for those who, like me, might not be
well-schooled in r&b.
Naturally, you’ll find some of the more recognizable names in
the genre on this collection. Stevie Wonder checks in with a lovely
“If Ever” – though I question if we really needed the synthesized
bird sounds. Chaka Khan – who I’ve not heard from since 1984’s “I
Feel For You” – surprises with “Don’t Talk 2 Strangers”, while
Luther Vandross and Shawn Stockman of Boyz II Men both turn in
decent contributions.
But
Down In The Delta helps to introduce listeners to either
newer groups or to artists who never achieved the same level of
fame as the former group. SUNDAY, who open the soundtrack with
“Believe In Love,” show they’re a name to be watched in the future.
Stanley Clarke’s contribution from the film’s score (“Family”) and
Sweet Honey In The Rock’s a capella rendition of “Patchwork Quilt”
are both hauntingly beautiful. Likewise, Sounds Of Blackness
(“Don’t Let Nothin’ Keep You Down”) was impressive.
Of the well-known names, two performers turned in works that,
surprisingly, failed to impress me. D’Angelo’s “Heven Must Be Like
This” got to be far too repetitive within the first 90 seconds of
the song, almost to the point of becoming annoying. And while I’ll
freely admit I’ve never been a big fan of Ashford & Simpson,
“Uh Uh Ooh Ooh Look Out Here It Comes” didn’t raise their stock in
my eyes.
Other selections, while good, are purely subjective, and whether
or not you’ll like them will depend on what your tastes in r&b
are. From The Leverts (“Where Would I Be”) to Janet (“God’s
Stepchild”) to the duet between Me’Shell N’Degeocello and Keb’ Mo’
(“My Soul Don’t Dream”), there is something on
Down In The Delta that will please everyone.
Not having seen the movie, I don’t quite know how these songs
fit in with the action. But with the strong performances on this
album, you don’t necessarily have to be well-versed in the film to
appreciate what the songs are conveying. And in the end, that’s the
sign of a good soundtrack, a classification that
Down In The Delta fits nicely.