Published on Sep 28, 2000
There are a few times where I feel a one or two-word review
would say it all. In the case of prog-rock trio Fates Warning and
their latest disc
Disconnected, such a review would read like this:
Yawn.
Of course, you’re going to get a little more detail than that
from me. It’s not that Jim Matheos and company have made a bad
album; it’s just that it’s hardly an album to get excited
about.
Originally formed as a metal band, Fates Warning found
themselves moving more towards a progressive rock vein early on in
their career, and have embraced the genre as much as it has
embraced them. The band – guitarist Matheos, vocalist Ray Alder and
drummer Mark Zonder – are undoubtedly superb musicians, and I would
not stoop to question their abilities.
I would, however, question why they seemed like they felt the
need to keep the general tone of
Disconnected down. Throughout the seven tracks on the album,
there isn’t a single performance by any one member which stands out
as being special enough to merit mention. It almost sounds like the
band is merely going through the motions, as if they had the
prog-rock genre down so well that performing it bored them to
tears.
Fans of progressive music, relax; that’s not meant as a slam
towards the genre. In fact, if I had to pick one song on
Disconnected that could be called the best, it would be the
16-minute epic “Still Remains,” which is the most engrossing of the
songs presented here. This would normally be something to celebrate
– but when that means that four- and five-minute songs don’t hold
the same kind of interest, I’d be worried.
I really wanted to like
Disconnected, but when I’m getting distracted from shorter
songs like “One,” “Pieces Of Me” and “So,” that usually doesn’t
bode well. I can’t tell you the number of times I listened to this
disc – especially the first four tracks, which I kept going over
trying to find what I was missing.
Instead, it’s something that Fates Warning is missing that is
the key to
Disconnected – namely, excitement. By no means am I
suggesting that they return to being a metal band; prog-rock does
indeed seem to be their niche. But if the band wants the listener
to be excited by what they have to offer, the members themselves
first have to sound like they’re totally into the material. I just
don’t get that vibe here.
Fates Warning is a band of talented musicians, and I hope that
Disconnected is merely a small stumble for the band. But
this disc hardly sets itself atop other similar albums in the same
musical vein.