Published on May 21, 2004
First things first: this is not your father’s Molly Hatchet.
Following a seven-year layoff from the studio, Danny Joe Brown
and crew were just about ready to take another shot at fame.
Unfortunately, serious illness hit Brown (he had been a diabetic
for years), effectively ending his stint with the band and leaving
only keyboardist John Galvin as a link to the band’s first stage.
Brown personally selected Phil McCormack to handle the vocal
duties, and his choice turned out to be ideal.
So anyone looking at
Devil’s Canyon to be a sequel to
Flirtin’ With Disaster is going to walk away sorely
disappointed. However, if you accept the fact that Molly Hatchet
was starting life anew, with an all-new lineup and an all-new
sound, then you’ll find that this album turns out to be quite
enjoyable, albeit with a few missteps along the way.
The band’s leaders now were undoubtedly McCormack (whose vocals
do sound a lot like Brown’s) and guitarist Bobby Ingram, who whips
out some licks which never would have been dreamed of in the first
incarnation of Molly Hatchet. The guitar solo on “Tatanka” almost
sounds like it could have been lifted from a heavy metal band’s
repertoire, which is both surprising and welcome. For those who do
need the link to the past, Galvin is given plenty of room to shine
as well, and he uses his time in the limelight to his
advantage.
The opening track “Down From The Mountain” does conjure up the
band’s original sound, though I honestly don’t remember slide
guitar being part of Molly Hatchet’s guitar trio back then.
Overall, this is a powerful track, and one which should have been
given a lot more attention than it actually received – in fact,
there are a few numbers on this disc which could have been hits on
rock radio had playlists been set by people, not corporations. (Not
that I’m passionate on the subject.) Likewise, “Rolling Thunder”
and the title track are real barn-burners which let the listener
know that the second generation of Molly Hatchet is here, and is
here for the long run.
Interestingly enough, the best track on
Devil’s Canyon turns out to be an acoustic version of
“Dreams I’ll Never See,” the old Allman Brothers Band number which
graced Molly Hatchet’s self-titled debut back in 1978. Linking the
past to the present was risky, but the band stays true to their
original version and makes this one a lot of fun to listen to. It
also makes me wonder what an all-acoustic album from Molly Hatchet
would be like.
Yet there are some growing pains evident on
Devil’s Canyon – though none which the band couldn’t
overcome given time. Tracks like “Tatanka” and “The Journey” are
ones which need to grow on you, while others like “Heartless Land”
and “Eat Your Heart Out” suggest that they could have used a little
more work, falling a little flat. And who would have imagined that
Molly Hatchet would do a love song with “The Look In Your
Eyes”?
Devil’s Canyon did re-establish Molly Hatchet as a name to
be reckoned with after an extended absence, but while there is
plenty to cheer about with this one, it also showed that the band
was still re-discovering just where they belonged in a musical
atmosphere which was quite different than the first time they had
to deal with this in 1978. Still, this one is worth searching
out.