Published on Aug 25, 2000
Oasis has been the target of a lot of negative press since their
debut disc
Definitely Maybe hit the shelves in 1994. Some of this has
been brought on by the dimbulbs, Noel and Liam Gallagher,
themselves, as they make Freddy Krueger look like Mr. Rogers at
times. But some of this negative press has gone as far as to call
this British quintet a Beatles rip-off.
Now, I admit I’ve stayed away from Oasis’s music (long-time
readers will remember we banned Oasis from this site for shutting
down fans’ tribute Web sites until someone finally came to their
senses), and I got turned off by the oversaturation of their music
on the local alternative radio station. But curiosity finally got
the better of me, and I snagged a copy of
Definitely Maybe to hear what all the hype and fuss was
about.
The funny thing is, I don’t hear an obvious Beatles rip-off in
this album. Instead, I hear some pretty exciting music from a group
who know how to take a pop riff and work it to their greatest
advantage. Simply put, this is a surprisingly good album.
By now, most everyone knows the two hits off
Definitely Maybe, “Supersonic” (which is nothing like I
remembered the song to be – and I had some rather nasty memories of
this song) and “Live Forever”. The latter suggested where the band
would go with their mega-smash
(What’s The Story) Morning Glory just one album later; it’s
an energy-laden, riff-driven number which sucks the listener in
from the start and refuses to let go.
That all being said, these are not the best songs on this
release. I would give that honor to “Up In The Sky” (featuring one
killer guitar line from guitarists Noel Gallagher and Paul Arthurs)
and “Slide Away,” which, admittedly, does have the musical texture
which could be compared to later Beatles works. But it’s hardly
copying directly from the Fab Four songbook; it’s simply a
wonderful song which works on all levels.
Paul McGuigan’s bass work, regrettably, isn’t pulled into the
forefront as often as I’d like to hear it, while drummer Tony
McCarroll (who left after this album) provides a solid rhythmic
backbone to all these songs.
The one sign that the “Tyson Twins” were probably one step away
from beating the living hell out of each other comes on the album’s
closing track, “Married With Children”. Sure, it could be a tirade
against a former lover – but with a line like “Your music’s shite
[sic] / It keeps me up all night,” I’d tend to believe this was a
brother-against-brother attack. (Interestingly enough, since Noel
Gallagher wrote all the songs, would this be a slam against
Liam?)
Definitely Maybe is an album which is almost flawless in its
design and execution, and serves as a reminder why these guys
quickly developed a huge following when they first hit the scene.
It’s almost enough to make you ignore stories of the
nitroglycerine-like relationship between the brothers
Gallagher.