Published on Jan 12, 2000
We here at “The Daily Vault” pride ourselves on providing
musical guidance for you, the listening public. But you know what?
We can learn from the Internet too.
So after a slew of recommendations on the
Alan Parsons mailing
list, I was in a local GargantuaRecordMart the other day with
some winter holiday money and finally picked up
Day From Night, the latest CD by LA-based progressive rock
band Spock’s Beard.
My only question is, why in the hell did I wait so long?
Spock’s Beard has the recommendations and the reputation,
certainly.
Frontiers Magazine named their
Beware Of Darkness CD “Progressive Album Of The Decade”, and
members have played with Eric Clapton, Phil Collins, Tears For
Fears, and Genesis. But let’s face it – progressive rock and its
leather-clad brother progressive metal is one-quarter brilliant and
three-quarters crap. For every Alan Parsons or Dream Theater,
there’s plenty of self-indulgent performers who think that obscure
lyrics and a Hammond organ will make them the next Pink Floyd.
Spock’s Beard, however, avoids the pitfalls inherent in the
genre, and do it with a vengeance. This is
great, great stuff, with punch and power and…dare I
say it?…promise.
The CD kicks off with “Day From Night”, a long, keyboard and
bass-laden track reminiscent of Kansas in their
Leftoverture period. The track grew on me after several
listenings, as did track two, “Gibberish”. Then…
Then we hit “Skin”. “Skin” is my pick for best
song I’ve heard on a 1999 CD release. The hook is
irresistable, the guitar and keyboards energetic and complex, and
Neal Morse’s vocals are strong enough to carry the song to its
bright and triumphant conclusion. Follow this with “The Distance To
The Sun”, an acoustic ballad with brilliant harmonies, and you have
a reviewer staring at the wall in stunned appreciation. In all
honesty, I don’t recall responding to a first exposure to a band
this strongly since the first time I heard October Project or Great
Big Sea.
The rest of the CD is excellent, especially the
modern-rock-tinged “The Gypsy”, “Crack The Big Sky”, and the softer
“Lay It Down”. Spock’s Beard gets special notice for avoiding the
muddy fussiness of most progressive rock; their sound is clear and
clean with magnificent production, and their harmonies are
well-defined, reminiscent of the aforementioned Parsons or Todd
Rundgren’s work with Utopia.
Progressive rock, power pop, or modern rock, Spock’s Beard fits
the bill in spades.
Day For Night is a magnificent piece of work. Cash that
check from your Aunt Hettie and
get it
.