Published on Nov 12, 2002
Like the many Yngwie Malmsteen releases that have found their
way to my ears over the years, Joe Stump’s releases all blend
together. I recognize Malmsteen as being great at what he does, but
I can barely recollect any songs on any of his releases, except for
a song called “Heaven Tonight” on
Odyssey (and that’s only because I heard it the other day on
Rock 108’s Bad Hair Friday show. Before that, I couldn’t have told
you a single song.
Joe Stump’s CDs are going down the same path. Both
Rapid Fire Rondo and
2001: A Shred Odyssey contain fast guitar work and that’s
all Stump is about: playing fast because he can. The
self-proclaimed guitar shred God is back with his band, Reign of
Terror, and on this release, Stump offers
Conquer & Divide as further evidence that he should be
included in the list of great guitar shredders like Tony MacAlpine,
Vinnie Moore, and the Great Kat.
Joe Stump’s guitar technique is amazing to my ears, reminding me
of Vinnie Moore’s
Mind’s Eye release. Stump always has outstanding drummers on
his records that typically provide a double bass pattern upon which
Stump plays his melodies. With Reign of Terror, Stump has also
brought keyboardist Mats Olausson on as a “Special Guest.”
Stump waits a mere 40 seconds before flexing his fingers with a
fast riff that leaves guitarists wondering what he is doing. Stump
is fast, there’s no question. The opening 40 seconds of “No
Forgiving” demonstrate Stump can play fast. Michael Vescera offers
a Bruce Dickinson-ish powerful vocal element and drummer Matt
Scurfield picks up all of Stumps changes with his cymbals driving
the band forward on “No Limits.” What is interesting is that the
guitar solos, where Stump is playing his fastest, seem muddy in the
production. Maybe that’s the desired effect, that the notes are
meant to be blurry and not distinct sounds – – everything meshes
together.
The instrumental “Seance” is the best track on this release. It
is one that, like the aforementioned “Heaven Tonight” might
actually stay in my mind. The melody is slower with “speed spurts”
to showcase Stump’s playing. Scurfield’s drumming on this track,
especially his China cymbal, is inspiring. The lyrics of these
songs could use some work, though, as they teeter between cliche
and downright stupid. For example, the chorus of “Bite The Bullet”
grates my nerves: “Bite the bullet/ just let it go/ bite the
bullet/ watch the torment grow.” Final track “The Meaning” grates
my nerves as well with these lyrics: “There’s always forgiving/ no
matter the cost/ it’s taken for granted/ the price we’ll pay.” They
may be heart-felt lyrics, but they just come across as not
especially well-written. It’s like the Van Halen syndrome. Eddie is
a great guitarist, but most Van Halen lyrics are not literature “Do
it till we’re black and blue”, for example. Same thing here.
Overall, Stump is for the guitar enthusiast who likes to hear
fast guitar shredding with classical music influences. The drumming
is outstanding with lots of fast and interesting parts. If fast
guitar playing is your thing, then Reign of Terror is your
band.