Code Red – Christopher Thelen

Code Red
Pavement Music, 1999
Reviewed by Christopher Thelen
Published on Mar 30, 2000

Ever since I discovered groups like Anthrax and Slayer, I have
been rather partial to speed metal. I love the reckless energy and
the hummingbird-after-three-espressos beats of the songs. Maybe it
was a guy – check that, teenage guy – thing, but such music
provided me with a release.

Germany’s Sodom remind me a lot of bands like Slayer in their
musical approach, as heard on their 1999 release
Code Red. However, if there is one word I would ask Tom
Angelripper and crew to utilize, it’s one I never thought I’d use
with a metal act: restraint.

The band – bassist/vocalist Angelripper, guitarist Bernemann and
drummer Bobby – are an incredibly tight outfit, and both the lyrics
and the songwriting are of very high caliber. (They should be; this
band has been slugging it out now for some time.) Angelripper’s
vocals come through very clearly in this mix, something I’m not
particularly used to in a lot of today’s metal.

When it comes to intensity,
Code Red absolutely oozes it. For a three-piece band
(assisted on “The Wolf And The Lamb” by guitarist Harris Jones),
Sodom creates a sound that makes it feel like you’re listening to a
larger ensemble. And if the brutal chords on tracks like
“Tombstone,” “Spiritual Demise” or “The Vice Of Killing” don’t do a
Texas two-step on your spine, the powerful lyrics will crush
whatever is left. Brutal? Sure, but I’ve heard worse. That might
not be enough to calm the nerves of Tipper Gore, but it will have
to do.

So why am I talking about restraint when it comes to Sodom? It’s
a minor point, but one worth noting: the band plows through the
songs on
Code Red so quickly, it almost feels like you’re not being
allowed to come up for air, even for one second. I understand the
desire to keep the energy and aggression levels high with this
music, but even the briefest of pauses between the tracks – namely,
something noticeable – would be appreciated.

Still, this is not an issue that would sink
Code Red, and the album stands strong as one of Sodom’s best
works ever. No need to sound the alarm here;
Code Red is very much worthy of your time and money.

Rating: B+

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