Published on Mar 12, 2002
Admitting that you’re a Twisted Sister fan, even today, is
almost akin to standing up in an Italian restaurant and declaring
yourself to be a Mafia informant. Once the creators of the great
teenage anthem “We’re Not Gonna Take It,” Dee Snider and company
became the group that no one wanted to admit they liked.
Not me. I’ve proudly said since discovering them in 1984 that
I’m a Twisted Sister fan. For the longest time, I’ve told anyone
who would listen that there was more to the band than the Spandex
and makeup; there was often a lot of substance to the music.
Maybe that’s why
Club Daze Volume II: Live In The Bars is such a wonderful
surprise, even to my ears. Years before the band would get a
foothold (albeit a brief one) on the ladder of mass popularity,
Snider and crew prove once again that Twisted Sister really was a
band worth listening to. Hungry for the fame which they would
eventually taste, Twisted Sister plow through some tracks which
could have easily been classics – and may yet achieve that
status.
The opening two tracks, “Never Say Never” and “Blastin’ Fast And
Loud,” take drum tracks recorded in 1984 for
Stay Hungry and add Twisted Sister circa 2001. Although
these tracks are a tad shallow, they do show that the magic the
band had in their glory days is still alive and kicking. If these
two songs aren’t enough to convince Snider and his former bandmates
to give a new album a try, I don’t know what would change their
minds other than a burning bush barking out the orders.
The live tracks (mostly taken from a 1979 concert) do something
that only the passage of time could. They strip away the makeup
(never mind the pictures showing the band getting ready for a show)
and focus squarely on the music. And frankly, the music that
Twisted Sister was doing at that time was pretty entertaining.
Take a song like “Follow Me” or “Plastic Money” and listen – I
mean, really listen – to them. If all you know about Twisted Sister
is the “’80s glam-rock dinosaur” image the media has created, you
may be surprised at the actual levels these songs have. Of course,
if you really had followed the band closely, you’ll remember songs
like “Street Justice” and know that Twisted Sister was always
capable of writing catchy yet intelligent music.
Granted, these are early pictures of a band in development –
evidenced by the covers of Little Richard (“Long Tall Sally”) and
Chuck Berry (“Johnny B. Goode”) performed – and guitarist Jay Jay
French, sounding a lot like Joey Ramone, tries to take a stab at
lead vocals on “Can’t Stand Still” (and proving why Snider was the
vocalist). But this disc is, in the end, harmless fun, and a nice
way to spend the better part of an hour recalling the days when
rock music was still hungry. Twisted Sister prove on these early
live recordings they had the capability to be a major player. The
new recordings suggest they still could.