Published on May 11, 1997
Back in the mid 1970’s, a quartet formed in Rockford, Illinois,
spurning on one of the great power pop groups of all time. Cheap
Trick has often seen the downside of success more often than not
over the past 10 years. It wasn’t uncommon to see them playing as
warm-ups for lots of outdoor “revival” shows with bands like
Foghat. But a recent resurgence of interest in their music by such
hipsters as the Smashing Pumpkins on a tribute album of Trick songs
has helped keep the band alive. Never say dead with Cheap
Trick.
It all began with the self-titled 1977 release
Cheap Trick. Self-consciously a parody, the band had its
quintessential pretty boys (bassist Tom Petersson and
vocalist/guitarist Robin Zander) and two goofy neighbor-like guys
in lead guitarist Rick Nielsen and drummer Bun E. Carlos. There is
somebody for everybody to love in this band whether it be the
wild-eyed, hyperkinetic guitar playing of Nielsen, Zander’s sultry
looks and vocals, or the ever chain-smoking Carlos banging away at
the drums.
Starting out side one with a blast and a not so thinly disguised
love of all ’60s bands, Cheap Trick openly pays homage to all their
heroes from the Beatles to the Who to the Kinks. They tweak teenage
angst and lust with their spirited songwriting and solid
musicianship, all the while having a blast and hoping to hit it big
(and
boy
did they in 1979 with
Live at Budokan). Plagiarism and blatant homage aside, this
album rocks.
Who can resist “He’s A Whore” with Zander sneering that he’d do
anything for money even if “she’s got a face that could stop a
clock”? The joyous rebelliousness and all out fun this band has
makes everything beside the point. “Ballad Of Teenage Violence” may
make a tongue in cheek point somewhere, but it’s the whine of
Nielsen’s guitars that seems to be the real point, not some
overblown philosophy. Remember when it was okay not to be
politically correct and want to have fun? Jeez, but for the good
old days!
Two other great pop gems include “Elo Kiddies” and “Taxman, Mr.
Thief” (can you spell Beatles???). These songs combine the great
rhythm section of Petersson’s booming bass and Carlos’s thunderous
drumming as Zander’s vocals weave around the jar and whirl of
Nielsen’s Strat. Petersson has always been one of my favorite bass
players, later having custom Hamer 8- and 12-string basses serve as
the non-relenting punch throughout Cheap Trick’s later hits. Here,
the point on a mere 4-string is to keep things pounding from the
album’s opener “Hot Love” to “Speak Now Or Forever Hold Your
Peace.”
The pretty ballad “Mandocello” is a beautiful song showcasing
the best of Zander’s vocal range from falsetto to sweeter tenor
tones and some of Nielsen’s finer fingering. Its melancholy and
sadness are probably the one serious musical/ emotional moment on
this fine debut from the Tricksters. “Oh Candy” which rounds out
side two affords another showcase for Zander’s vocals while he
laments the spiral of a woman’s heroin addiction.
All in all,
Cheap Trick shows why the band’s longevity has remained and
their influence is still strong throughout the pop and alternative
scene today. It may not be highbrow or the most original, but it
sure rocks.