Published on Jan 29, 1997
Sometimes, being a music reviewer is a difficult job. How can
you justify ripping apart an album for being “outdated”:when, at
the time of its release, it was one of the most innovative in its
genre?
In the case of The Cars’ second effort
Candy-O, I can’t justify tearing it apart for that reason. I
can’t ream it for the musicianship, though I would have preferred
to hear a little more lead guitar than keyboard doodling from Greg
Hawkes. I can’t even fault it for the hit singles, such as “Let’s
Go,” which still is an incredible track today. (Some narrow-minded
individuals may find fault in the Vargas-painted cover, but you
won’t hear me complaining.)
In fact, many of the performances on
Candy-O stand out as being somewhat experimental. Rather
than play it safe by copying the sound they found fame with on
their debut album, Ric Ocasek and crew pushed the envelope a bit
with this release and refined their performance to the point that
there is very little wrong with this album.
That said, let’s get the one weakness out of the way – the song
“Lust For Kicks.” This is the only cut that doesn’t do anything for
me as a listener – and the diction on the song makes it sound like
a love sonnet to a certain breakfast cereal.
But the rest of the album has held up incredibly well for three
reasons: songwriting, songwriting, and songwriting. “Since I Held
You” is the forgotten classic on this album – understandably so,
because it is wedged between two Top 40 hits, “Let’s Go” and “It’s
All I Can Do.” (A third song, “Dangerous Life,” still gets play on
classic rock radio.) The short snippet “Shoo-Be-Doo” is The Cars at
their most bizarre (though it is somewhat enjoyable), and the title
track is a piece of power-pop that isn’t quickly forgotten.
In some senses, you can hear the future of The Cars on
Candy-O – a future that would later manifest itself in their
swansong,
Heartbeat City. This is a perfect example of how an album
can successfully stand the passage of time and sound fresh.
On second thought, sometimes being a music reviewer is an easy
job.