Published on Oct 6, 1999
Things I think about when I think of Sting: romance, depth,
love, loss, thermometers, bad French, sailing, and generally
mystical settings.
Things I do NOT think about when I think of Sting: transvestite
prostitutes, self-written techno songs, being a real life dog,
psychotic lovers chasing down lying letters, and French rap.
Of course, I am open for new, Stingy experiences, and his new
album
Brand New Day definitely provides those. I first heard that
the album was coming out when a local small venue advertised for
his upcoming concert. I was astounded that such a popular performer
would be playing such an intimate location (until, of course, I
heard that tickets were starting at $125). I popped out and
snatched the CD up on its release day, and was fairly floored when
I listened to it.
Overall, the album is a definite move away from the jazzy
feeling that marked
Mercury Falling, leaning towards a much more eclectic mix of
styles. It features guests such as Stevie Wonder (on harmonica),
James Taylor, and Branford Marsalis (on clarinet), as well as a
smattering of international artists like Cheb Mami.
The first track, “A Thousand Years,” is classic Sting,
reminiscent of “When We Dance.” It is a simply gorgeous song,
marked by lyrics such as: “But if there was a single truth, a
single light / A single thought, a singular touch of grace / Then
following this single point, this single flame / The single haunted
memory of your face”.
“Desert Rose” features Cheb Mami, and is one of the most
musically interesting songs on the album. It is a highly erotic,
dizzying song where Sting displays vocal acrobatics that are
complimented by Middle-Eastern vocals. It is rich and rewarding
(and almost reminds me of a really good coffee… hee hee),
and I could easily see it as the first single from this album.
Of course, then there are the tracks that can be classified as
nothing less than “weird.” In “Big Lie Small World,” a jazzy song
whose tone doesn’t necessarily match its message, the character has
written a letter to his ex-lover, explaining that since she left,
his life has been full of friends and laughter. After he has sent
the letter, though, he regrets the fact that he has lied, and the
rest of the song details his effort to get the letter back,
culminating in his attack on the postman and subsequent arrest.
Sounds a bit like “Seven Days” in a way…
But wait! Sting can get weirder! “Perfect Love… Gone
Wrong” is about a dog who feels misplaced by his owner’s new
boyfriend. (Or, he’s being metaphorical here; personally, I’d
rather think that the dog is really having a serious jealousy
issue.) The dog’s lamenting is “complemented” by a female French
rapper (yeah, you heard me right, a French rap artist) which makes
me seriously wonder how much effort Sting put into thinking about
musical composition. French rap does not do anything for this song,
really.
Finally, for the track most likely to make you scratch your head
and say, “What was he
on?!”, we have “Tomorrow We’ll See.” Check out some lyrics:
“Headlights in the rainy street / I check, make sure it’s not the
heat / I wink, I smile, I wave my hand / He stops and seems to
understand / The small transaction we must make / I tell him that
my heart will break / If he’s not a generous man / I step into his
van / They say the first’s the hardest trick / But after that it’s
just a matter of logic…” Want more? “A friend of mine he
wound up dead / His dress is stained with colour red.”
Okay, enough. My overall opinion of this album varies. Although
I am excited that Sting has a new album out, I think this one
is… well… boring and questionable at places. Many of
the songs either are reminiscent of his old work or are weirdly
composed and make little to no musical sense to me. (French
rapping? I still don’t get it.) I’d say that I like a little over
half of the songs, and I sneer at the other half. (Sigh.) And to
think, he’s charging $125 to see him sing about being a
transvestite prostitute. It almost makes it worth it.