Published on May 5, 2001
No point in pussyfooting about: We are indeed talking about
Terence “Geezer” Butler, original (and best) bassist and lyricist
of the legendary Black Sabbath. After hopping his bass duties back
and forth between Black Sabbath and Ozzy Osbourne’s solo band in
the 80’s and 90’s, he finally got around to releasing his own debut
solo album,
Plastic Planet, under the band name G/Z/R in 1995 before
settling on the band name Geezer shortly thereafter.
While the first album was an incoherent mess of downtuned sludge
(with Fear Factory’s Burton C. Bell on vocals) we have a very good,
consistent album in the 1997 follow-up,
Black Science. Geezer must have realized what a mind numbing
bore he put out last time and so for the follow-up he decided to
take the music into several new directions, which make it really
interesting to listen to! It’s an unexpectedly modern sounding
release.
Don’t get me wrong, this is still a brutally heavy album for the
most part, but the difference is that more variety and some
tasteful restraint has been added. There’s a new singer by the name
of Clark Brown, and he’s a very welcome replacement for that
barking dog on the debut! This guy can actually sing, which he
often does instead of just screaming all the time. In addition,
there are a whole bunch of awesome, catchy riffs courtesy of
guitarist Pedro Howse that would make Tony Iommi green with envy!
Just check out the insane “Department S”!
Some of the material is even worthy of Black Sabbath, with the
many dark, spooky melodies floating around, like on the more
ambient mid-tempo “Mysterons”…that one should have the goths out
dancing on graves! Also, there are really bizarre sci-fi fixated
lyrics throughout…”Box Of Six”? “Area Code 51”? “Number 5”?
“Among The Cybermen”? “Xodiak”? Sheesh! Any die-hard
X-Files fan would eat this album up.
The production surprised me even more, because there are a lot
of electronic elements integrated into each song, like electronic
drums, and even a few techno/jungle beats and rhythms here and
there in addition to the machine gun riffs, giving the album an
industrial feel, rather than just the basic metal which I think
most people would expect from a savvy veteran of the genre like the
legendary Geezer. This should however not come as a big shock to
anybody since TVT is a label well known for quality industrial
bands.
It’s great though! Lots of little noises and melodies that you
wouldn’t expect! Surprisingly catchy choruses too! And Butler
himself plays all the keyboard parts as well…don’t worry, they’re
all eerie keyboard sounds that fill out the spaces beautifully.
Some of the songs are just bizarre. See “Unspeakable Elvis” for
one example. I don’t mind that kind of experimentation though
because I’d much rather listen to music that surprises me with it’s
changes and diversity, which is something that the first album
unfortunately does not do at all.
The only negative I can see is it’s just too long. There are 13
tracks, of which at least four are filler that don’t have much to
offer that hasn’t already been brought forth elsewhere on the
album. Those four songs aren’t necessarily bad; they just didn’t
need to be included.
All in all a very solid effort from Black Sabbath’s one and only
great bass player.
Black Science was a major step in the right direction, even
though it was inexplicably ignored upon it’s release. Maybe the
stupid sticker on plastic wrap in big bold letters announcing “THE
BRILLIANT NEW SOLO ALBUM FROM BLACK SABBATH’S OWN GEEZER BUTLER!”
is what drove away younger potential customers that may have picked
it up otherwise.
Give it another chance; this thing is way better than most heavy
albums released in 1997. I sure hope the third album (to be
released late in 2001) will turn out this well, because Butler
seems like a really cool, laid back kinda guy who I think deserves
a turn in the spotlight for a change.