Published on Mar 2, 2004
Eric Sardinas is the next generation of rock/blues, taking the
best elements of the greats like Led Zeppelin, ZZ Top, Jimi Hendrix
and mixing in more contemporary acts like Lenny Kravitz and the
Black Crowes to create a powerful blend of music that ought not be
denied.
Opening track “Flames of Love” kicks off the CD with authority.
Built around a searing guitar riff, the appeal of this music is
thrust into the forefront. Unlike some blues/rock bands, where the
rhythm section just provides a backbone for the guitarist, the trio
of Sardinas, bassist Paul Loranger and drummer Mike Dupke sound
like a band, adding additional ideas to Sardinas riffs. Make no
mistake, as the only melodic instrument in the band, Sardinas takes
the weight of the material on his shoulders. Where this release
achieves what other bands cannot is with the on-the-dime drumming
of Dupke and low-end throbbing of Loranger. This is a trio without
anyone taking a backseat to anyone. To draw a comparison, they are
a Rush of the blues. Like Rush, there is not a single instrument
that takes precedent over another.
“Ain’t No Crime” starts with a riff borrowed from a Led Zeppelin
blues stomp with Dupke driving the song through its verse and
chorus. Sardinas solo on this track is impressive and soulful. This
is evident in the Hendrix-inspired “Lice’s Dice Blues.” You can
feel the groove even while the band is playing quiet during the
verse. When the band crescendos, there is musicianship and power
and respect for the past while paving the future of the genre.
While it would be acceptable for Sardinas to steal the spotlight,
that does not happen. Dupke adds some tasteful hi-hat patterns
while Loranger expands the song with his basslines.
“Sorrcus Kitchen” starts out as a slow song before eventually
crescendoing into a song that would be unfairly stereotyped as a
rock ballad. “Four Roses” reminds me of a groove similar to what
the Black Crowes would have recorded on their
Shake Your Money Maker release. There is a laid-back push in
the tempo that compliments Sardinas lyrics.
There’s a down-home stomp on “Old Smyrm Road” that insists you
tap your foot. Dupke’s snare pattern drives the song and Loranger’s
basslines compliment Sardinas bluesy stomp. The song sounds more
acoustic guitar than electric and compliments the rest of the
material on this release. Additionally, Sardinas’ vocals are
especially soulful.
I was lucky enough to see Eric Sardinas in concert on Friday,
February 20, 2004. The band played two 75-minute sets and finished
playing only because the bar was going to close. You need to go to
http://www.ericsardinas.com
and find out when he will be in your area. The set list he played
featured songs from this release as well as what must be from his
first two releases. Eric Sardinas live is a monster unleashed.
Wearing a hat with a rattlesnake skull, the one that is on the CD’s
back cover, and having his way with his guitar. As I watched him,
and listened to
Black Pearls the next day, I couldn’t help but think “I
witnessed an Eric Sardinas show before he got huge.” My ticket was
$10. It made me feel like someone who had seen Led Zeppelin play in
a bar before they made it big.