Published on Apr 15, 2004
Despite an album that missed meeting my preconceived notion of
what it was supposed to sound like (ahem!), I’m going to have to
admit that it’s going to be hard to throw darts at the resulting
effort when it comes off sounding so natural and mature. And for
those of you that know what bands typically play in to my strengths
(go check out my bio if you don’t know), you might be surprised to
read that I’m going to tout a minutely fuzzed-out pop album. Egads.
I’m sure that those who know me will now be convinced that the
world is surely coming to an end.
So, why would I have guessed that Thee Ultra Bimboos’
Bimboo Wizard was anything but a pop album? Well, I
misinterpreted the band’s association with their Finnish
countrymen, the Flaming Sideburns, and past tour dates with the
Hellacopters as reasons to think this female quartet was of the
punked-up garage variety. Even the liner notes of
Bimboo Wizard credit the Hellacopters Robert “Strings”
Dahlqvist and Anders “Boba” Lindstrom as contributing guitar and
piano work on several of the tracks.
Hmmph. So much for being able to draw logic from an education in
higher learning. As they say, life goes on and
Bimboo Wizard will serve as a nagging reminder that it’s
best to restrain from wearing blinders.
As a teaser, the first track on
Bimboo Wizard does have a Hives/Stooges thing going on.
There’s even a chorus in “Get There Fast” where the queen wizard,
Suffeli Bimbo, professes to “kick some ass.” Past that, I’d liken
Thee Ultra Bimboos as sounding like a neutered version of the
Go-Go’s. The strength in that comparison can be found with a
finished work that comes off sounding truly eclectic.
Anyone wanna queue up
Rubber Soul now that the mood has been set?
Speaking of moods, a fraternity party is not what I think of as
I listen to “Pa-Pa-Party.” When I hear this track, I have certain
visions of a scene of 10th grade granola-ites sitting on the floor
Indian-style contemplating world peace strategies while sipping
herbal tea.
And that might just be the only true lowlight I can find on this
album. The opening whispers from Suffeli Bimbo on “Mars is Rising”
captivates as equally as the soft acoustics of the opening bass
line. The song is as uplifting as it is hypnotizing and shows the
obvious maturity of the band blending in the perfectly timed odd
sound from the drum kit and guitars.
Changing gears, “Black Mustang” is a saucy boogie that benefits
from Dahlqvist’s string-bending. Normally, I’d have dead-ringed the
instrumental beat as a song from any Flaming Sideburns album.
Obviously the vocals keep that from happening as the last I
checked, Sideburns vocalist, Eduardo “Speedo”Martinez is no
bimbo.
“Sparkles” would probably be the song that would strike me as
the pop hit on the album if it had a slightly catchier chorus.
Without it, I’ll defer the honor back to either “Mars is Rising” or
“Guided by Shadows” solely on the strength of the surf rock intro
that song gives us.
Well, I’ve learned a lesson by listening to
Bimboo Wizard. Simply put, it’s that any genre of music —
if performed creatively — can not only be tolerable but rather
enjoyable as well.