Behind Closed Doors – Christopher Thelen

Behind Closed Doors
Epic / Legacy Records, 1973
Reviewed by Christopher Thelen
Published on Mar 26, 2001

I remember when I was a child back in the ’70s how popular
Charlie Rich was. If Elvis Presley ever had stuck with pure country
music, he may have sounded like Rich. Songs like “Behind Closed
Doors” and “The Most Beautiful Girl” became radio staples, and Rich
enjoyed, albeit briefly, the sweet taste of success. But his last
top ten hit came in 1979, and he never again enjoyed the same kind
of fame until his death in 1995.

Behind Closed Doors, the 1973 album which made Rich a
household name, has recently been re-issued with four bonus tracks.
While Rich’s voice is something which takes a little getting used
to, one can hear the seeds being planted for such artists as Garth
Brooks in Rich’s country-fried pop. And while this album does show
a layer or two of dust on it, the disc does rightfully show that
Rich earned the fame he enjoyed back then.

I will admit this much: after hearing “Behind Closed Doors” for
the first time in well over a decade, I didn’t really understand
why people flocked to this song. Maybe it was because of the
suggestive nature of the track, something that didn’t really
dominate the airwaves in 1973. Maybe it was the way the song
crossed over the strict borders of country and looked at the pop
world – something that Rich would further do with “The Most
Beautiful Girl”. (Considering that, isn’t it ironic that Rich
reacted so harshly at the CMA Awards in 1975 when, instead of
announcing John Denver as a winner, he set the certificate on
fire?)

As much as the song is a retro nugget of times long gone, “The
Most Beautiful Girl” is still a very pretty song, and it does show
off Rich’s vocal skills quite well. There’s a reason why this track
topped the charts, and it’s still a valid reason today: it’s a
well-written, well-performed song.

While many other tracks on
Behind Closed Doors don’t get the same kind of attention,
there are songs included within that are worth taking a close
listen to. Songs such as “‘Til I Can’t Take It Anymore,” “Nothing
In The World (To Do With Me)” and “We Love Each Other” are just as
enjoyable, while it takes a little time to warm up to others like
“If You Wouldn’t Be My Lady” and “A Sunday Kind Of Woman”.

The expanded edition of this album makes it worth all of the
trouble. Tracks like “Mama, Take Me Home” and “Papa Was A Good Man”
(two of three taken from the 1972 release
We Love Each Other) are wonderful additions, capturing a
vein of country heartbreak that many people might be more used to.
The remaining two tracks, “Ruby, You’re Warm” and “I’ve Got Mine,”
are decent, but not quite as endearing.

Of all the albums Rich recorded in his lifetime,
Behind Closed Doors might be the best-remembered. While
parts of this album have not held up as well due to the passage of
time, there’s still plenty to get excited about today, and should
remind people (especially those who were there the first time that
Rich hit it big) what made him a legend in the world of country
music.

Rating: B

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