Published on May 21, 2002
Sometimes, you have to approach a recording with no
preconceptions. This was definitely one of them — but it paid off,
I think.
Gabrielle Roth is a fascinating person in her own rights. My
only experience with her before this involved her writings on
shamanic practice and dancing, so to find out that she had a
musical group — that has apparently released several CDs — was
somewhat of a revelation. On top of that, the current vocalist (or
guest vocalist — the CD liner notes are unclear) is Boris
Grebenshikov, who I vaguely remembered as being a Soviet expatriate
musician who had at least one interesting album in the late
eighties or early nineties. (Having long ago lost my copy, I
couldn’t remember for sure.)
(Editor’s note: That album, Radio Silence
, was released on Columbia in 1989.)
Then, of course, I read the liner notes and found out this was
an album of chants recorded in a “found language” that Grebenshikov
had developed (or channeled, if you believe his version) from the
spirit world. Now, as a Wiccan, I believe in the spirit world, and
I suppose that it’s possible one could channel songs or chants from
there — I’ve heard it done before in religious ritual, and it’s
not different from a Christian praying in tongues, for example. But
for your average music fan, this is going to be a stretch.
You know what the oddest thing of all it? It’s a stretch that’s
worth making.
It’s hard to describe exactly what the music is on
Bardo. It has elements of Arabic, Native American, Indian,
Celtic, South American, and African music to it — one might argue
that it, in fact, defines the term “world music” by having no real
cultural focus to it. I will also say that whatever or whoever
Grebenshikov got these words from, they do sound like a “found
language;” they cannot be understood, but they have the
consistency, rhythm, and repeated sounds one finds in normal
speech. Between the listener’s inability to determine the cultural
focus of the music and the mystery of the lyrics, this does,
indeed, sound like music from Somewhere Else. When you add in that
it’s good music — pleasant to listen to, relaxing, almost inducing
a meditative or trance state — you come to the realization that
Roth and Grebenshikov achieved their goal.
Bardo is a weirdly wonderful work. It comes strongly
recommended.