Published on May 23, 2001
I can just hear the Faithful “Daily Vault” Readers now. “Duke,”
they’re thinking, “the Celtic stuff was bearable. The bluegrass,
that was scary. But now –
but now
– you’re doing Norwegian traditional music?”
Damn straight, kids. Norway’s Annbjorg Lien is the best new
voice on the fiddle I’ve heard in a long time. Discovering
her on her new CD
Baba Yaga was like the first time I heard Ashley MacIsaac:
brash, sensual, and completely novel yet capable of playing in a
traditional fashion. She’s fast as lightning and slow as treacle,
plays like an angel having a good time on Saturday night, and is
definitely worth the effort to seek out.
The technical term for what Lien plays is hardanger fiddle,
which appears to be the traditional folk fiddle style of
Norway.
(Unfortunately, through all the websites I wandered through
for this
review, I never could get that term defined. Anyone knows for
sure, send me email.) She is also a trained classical violinist,
has won multiple Scandinavian titles in folk music performance, and
with the band she is a part of, Bukkene Bruse, played at the
closing
ceremonies of the 1994 Lillehammer Winter Olympics. She’s a
celebrity in Norway. With playing like this, she should be a
star here.
While I hate to draw parallels, the musical resemblance to
MacIsaac is strong. She is both an excellent traditional
fiddle player and a musical experimenter, drawing on Celtic, Middle
Eastern, and other influences from outside Scandinavia on
Baba Yaga. Her music has almost a chameleon-like variance in
intensity; from almost playful on “Old Larry” to heavy and
portentous on “January”, she shows the full spectrum of emotion
inherent in her violin. At times, her technique is so physical as
to almost turn the fiddle into a percussion instrument, and leaving
the ‘string sound’ on the recording was a smart move. It’s as if
she was right there playing for you.
There are a lot of good tracks on
Baba Yaga; it’s hard to pick a
few out for special notice. The title track is excellent,
with its bizarre throat-singing intro; “Ritual” is melodic and
bright, elegant in its stateliness; “Inoque”, a result of Bukkene
Bruse playing in
Mozambique for Save The Children, is an odd yet wonderful
interweaving of midnight sun and African skies; and
“Wackidoo” is a Norwegian hoedown, suitable for kicking up one’s
heels and having a good old time. My favorite, however, has to be
“Loki”. I’ve never heard a piece of music capture so well the split
nature of the Trickster and Betrayer of the Aesir.
Baba Yaga is one of the best traditional music CDs I’ve
heard
this year. It has opened me up to a whole world I didn’t even
know
existed. (Great,
more CDs to buy.) Music is universal and the fiddle even
more so, and Annbjorg Lien is on her way to being a master of
both.