Published on Dec 8, 2000
What would happen if Jewel, the Indigo Girls and Melissa
Etheridge got together and formed a band?
I think I got a glimpse of that team when I listened to
…Any Girl I Want from Minneapolis-based folk-rocker Diane
Wegner. (Her vocal style had me thinking for a while that I was
listening to Jewel, only this had more of a rock edge at times.)
And while the overall pattern of her music is a tad uneven (mostly
due to the switching between electric and acoustic guitar
orientation), there is more than just a hint of promise in this
work.
Wegner has been described by the press as “a passionate feminist
humanist” — and, I’m sorry, but I don’t have a clue what the hell
this is supposed to mean. What I know is that Wegner writes songs
that have the ability to make the listener think, even if their
viewpoint is different from that of Wegner’s.
Case in point: “The Bible Tells Me So,” a song which, on one
side, could be a pro-choice anthem which mocks the religious right
for their narrow-mindedness. (Save your angry e-mails; I was once
on that side of the fence.) But the slant does not necessarily have
to be on the abortion viewpoint; one way I heard this song was a
criticism, again of the religious right, for refusing to accept any
beliefs or personal creeds which they didn’t subscribe to, and how
their own beliefs could be turned on them. Now that we’ve opened up
a debate “can of worms” that could fill several episodes of “Meet
The Press,” we’ll move on.
Wegner proves that she can pull on the heartstrings as well as
push the listener’s hot buttons, as she does on the album’s closer
“Henry,” a message of love to a deceased relative (grandfather?).
It’s a touching tribute that should make parents go home and hug
their children that much tighter. On a slightly related tangent,
“Paper Flowers” tells the tale of lost love and how a simple gift
becomes a painful reminder of what once was.
Not everything on
…Any Girl I Want is this powerful, though. It sometimes
feels that when Wegner switches focus from acoustic guitar to a
more rock-oriented beat, she loses her equillibrium briefly. This
is noted on the shift between the album’s title track opener and
“The Way You Love Me”.
Still, Wegner has more hits than misses, and even though tracks
like “Private Pain,” “What Went Wrong?” and “No One Like Me” have
great promise, I get the feeling that Wegner is still growing into
her shoes as a songwriter, and her best work still lies ahead of
her. With a little more time and seasoning, she could well eclipse
any of the three artists mentioned at the start of this review.
…Any Girl I Want is an impressive outing, stumbles and
all, and should be a sign of things to come from Wegner.