Published on Aug 31, 2001
It’s always awkward to review the work of a deceased artist. One
does, indeed, hate to speak ill of the dead, and Laura Nyro’s death
was particularly tragic, a painful and drawn out case of ovarian
cancer.
Angel In The Dark contains her final recordings, the last of
which were recorded in the middle of her chemotherapy sessions in
1995.
So who
was Laura Nyro? There is, in my opinion, a class of artist
that we all know; the artist who will never receive much fame but
who will be cheerfully ripped off for years to come. In her career,
Nyro composed multiple hits for other artists, including Blood
Sweat & Tears’ “And When I Die”, the Fifth Dimension’s “Wedding
Bell Blues” and “Stoned Soul Picnic”, Three Dog Night’s “Eli’s
Coming”, and Barbara Streisand’s “Stoney End”. Her white soul
singer sound influenced everyone from Joni Mitchell to Teena Marie,
and her talent led David Geffen to quit his job and become her
manager in 1967. She also recorded CDs of her own, ranging from
1966’s
More Than A New Discovery to
Angel In The Dark, her final legacy.
All poetry aside, it’s not too shabby, either. The CD is a
pastiche of tracks; half Nyro’s own songs, half the songs that she
grew up singing in New York with street-corner harmony groups.
While thematically
Angel is uneven, the heart in it cannot be denied. Before
her illness, this CD was planned as a “love letter” to Nyro’s
favorite songs, ranging from Burt Bacharach to George Gershwin to
Carole King, and much of that still remains. Nyro covers “Will You
Still Love Me Tomorrow?”, “Ooh Baby Baby”, “Embraceable You”, and
“Walk On By” with her supple, graceful voice, moving from familiar
melody to familiar melody with ease. Of the covers, the best by far
is her take on the Delfonics’ “La La Means I Love You”. I really
dislike this song in its original version, but Nyro’s stripped-down
and passionate vocals turn it into something special.
The original songs are a more uneven bunch. “Triple Goddess
Twilight”, “Sweet Dream Fade”, and “Don’t Hurt Child” are
marvelous. The title track, however, shows some strain, as if Nyro
was pushing herself and indeed, she was, as it dates from that last
recording session in 1995. (Interestingly enough, “Sweet Dream
Fade” is from the same session, and shows no such strain.)
“Gardenia Talk” has a spoken line in the chorus that I found
jarring. “Animal Grace” is well performed, but the lyrics are a
touch awkward; frankly, I wish she had had more time to polish
them, but time was running out.
Nyro’s death in 1997 marked the end of an enigmatic career.
Never quite mainstream enough for the commercial success found by
contemporaries like Joni Mitchell and Rickie Lee Jones, she spent
most of her life writing commercial songs for other people and
recording her own music for herself and a few fans.
Angel In The Dark was her final statement before silence,
and despite a few uneven moments it’s more than worth it.