Published on Sep 19, 1999
I’m going to say three words I never thought I would use grouped
together: Japanese death metal.
While metal has been very popular in the land of the rising sun,
very few groups have been able to invade these shores and make any
type of impression. While I’m willing to concede I’m forgetting
quite a few, the one that comes to mind is Loudness, who did have
some success in the States and were not considered a novelty act.
And by no means am I suggesting that Japanese bands should stay
away from metal; Lord knows I get enough hate mail as it is.
But death metal is one realm that it didn’t seem like Japanese
bands would ever enter – until now, that is, with the self-titled
release from Amduscias. And while the band has learned the lessons
of the music well from their predecessors in Europe and Asia (where
this genre seems to be more alive), they need to add one more thing
to the mix before they’re ready to strike: some level of
originality.
The band – vocalist/bassist Ryichi, guitarist Tomoya and drummer
Mike I (at least they don’t have some caveman-meets-Dante’s Inferno
names) – follows the traditional format of death metal note for
note. Into the pot they throw: blazing rhythm guitar, speed-freak
drumming, almost unrecognizable bass work, vocals that alternate
between grunts and coherency… been there, done that.
The six songs on
Amduscias (which clocks in at around 28 minutes) all follow
this format (though I will admit I liked the thunderstorm effects
on “The Dragon Domination” – perfect way to end this song!), and
all the musicians prove they’re technically able to create this
music. But what I don’t hear is a lot of creativity – the first
sign that this is a young, up and coming band. Tracks like “Hell On
Earth,” “Dominion Of Darkness” and “Blood From Your Heart” all are
faithful examples of the genre, but I don’t hear any personal
signatures in the music – you know, a guitar lick here, creative
songwriting there. This, however, may come in time.
The biggest problem that Amduscias is going to face is
convincing people that they’re serious about being a death metal
band. I’ll admit that when I first read the bio of this band, my
first thought was: “Yeah,
right
.” I was not prepared to take this band seriously (though I
did listen to the disc with an open mind), and they might face the
same uphill battle from a fickle audience.
My biggest complaint with this album (besides its brevity) is
that it’s pretty much standard fare; there’s not a lot here to
separate this album from the rest of the sea of releases that have
been coming to me in the mail. So far,
Amduscias has been good for a quick listen (as well as for
pissing off the neighbors), but I don’t forsee this one becoming a
staple of my musical diet.
Amduscias needs to find their own unique niche in an
already-crowded genre to stand out. Until then,
Amduscias is an album that shows a young band trying to find
their foothold, and not doing anything spectacular to draw
attention to themselves.
1999 Christopher Thelen and “The Daily Vault”. All rights
reserved. Review or any portion may not be reproduced without
written permission. Cover art is the intellectual property of
Blackend / Metal Blade Records, and is used for informational
purposes only.