Published on Jun 14, 2002
While we feature all sorts of music here on “The Daily Vault,”
I’ll be the first to admit that country music is not my first
choice to listen to for leisure. It’s not that I hate country
music; actually, I’ve heard quite a bit over the years that I like
a lot. But I’ve never really developed a strong desire to search
out groups in this genre like I’ve done in rock and pop, looking
for the next big thing.
McBride And The Ride hardly qualify for that, seeing as they’ve
been slugging it out since the ’90s. But nine years have passed
since Terry McBride and crew have graced the world with an album;
their latest,
Amarillo Sky, is the kind of disc that piques my interest in
this genre more than it did before I first heard it, even though it
occasionally drifts into anonymity.
There’s no doubt that the group – bassist/vocalist McBride,
guitarist/vocalist Ray Herndon and drummer/vocalist Billy Thomas –
are a talented group of musicians who can take a song and work
magic with it. But what sets this group apart in my mind is the
focus on real love rather than the country stereotype of heartbreak
and loss. Listen to tracks like “Anything That Touches You” and
“When Somebody Loves You” and try not to be moved by them. And
while the words are powerful enough, it is the performance of
McBride And The Ride (along with a group of guest musicians) who
hammer the message home; frankly, without a solid musical
performance to back the words, they wouldn’t mean much.
This isn’t to say that everything is sunshine and roses on
Amarillo Sky. There are moments where loss and crushed
dreams come back into the frame (“Hasta Luego,” Why Not Colorado”),
as well as the plight of the American farmer (“Amarillo Sky”),
songs which frmly plant one’s feet back into reality. The
difference on many of these is that there is not a sense of
hopelessness and doom in the words and music; often, one can feel a
glint of hope through the sweat and tears. This is skill in
songwriting, not mere trickery.
Yet
Amarillo Sky sometimes feels like another album chasing
Garth Brooks’s shadow, with a more pop-like shell around the
country twang. As a result, not every song hits the target square
on, though no track could be called a failure in any way. It’s just
that tracks like “Sure Feels Like It,” Leave Her With Me” and their
cover of The Who’s “Squeeze Box” just don’t have the same complete
feeling about them as the stellar songs do. At times like this,
it’s far too easy for the listener to become distracted, meaning
they won’t be easily able to get back into this disc when another
powerful track hits.
Still,
Amarillo Sky is a worthy album that suggests that McBride
And The Ride are not only in it for the long haul this time around,
but that they could put together a solid challenge for the throne
in country music. It wouldn’t surprise me to hear at least one of
these songs latched onto by adult contemporary radio – and that
could just be what this group needs to break into the high circles
of country music fame.