Published on Apr 23, 2002
John Cowan has never respected musical boundaries much. Starting
his career in rock bands in Louisville, Kentucky, he became a part
of New Grass Revival (NGR) in 1974. For those new at this, NGR is
the newgrass band — setting the acoustic traditional world on its
ear for years by breaking new ground in newgrass. Other members
included the great Sam Bush and Bela Fleck, so we’re not talking
lightweights here.
When NGR broke up in 1990, Cowan began a career that can best be
described as relaxed and eclectic, including a second band, The Sky
Kings, and two solo recordings for Sugar Hill Records — one of
which,
Soul’d Out, is a collection of Cowan’s favorite soul tunes.
Heady stuff for a blue-eyed bluegrass vocalist — so one expects
his latest release,
Always Take Me Back, will be pretty eclectic.
Eclectic. Check. Damn good? Also check.
What else can you call an album with a bluegrass cover of Yes’
“Long Distance Runaround” paired up with the spiritual “Someone
Give Me A Stone”? (Fact is, I prefer the cover to the original,
mostly because it has Cowan’s precise, articulate vocals rather
than John Anderson’s quacking.)
Always Take Me Back is a brilliant piece of work. There are
a number of powerful, powerful pieces on this CD, and they always
keep you guessing. Cowan appears to delight in mixing metaphors;
how else do you explain a blues-rock spiritual search on the
Oklahoma City bombing (“Read On”), a blow-the-doors-off jam on
being permanently down and out (“Two Quarts Low”), or a traditional
bluegrass take on growing a few illegal crops so you don’t lose
your farm (“Monroe’s Mule”)? Mix in powerful reflections on family
like “They Always Take Me Back” and “18 Years” and you have a CD
whose power is in the words and the music — and what a lot of
power there is.
The highlights by far are two tracks — the bittersweet,
haunting “Blood” and “Love Alone”, both of which have real, deep
emotional impact. (I must have played “Blood” twenty, thirty times
this week.) These are great songs, the kind that don’t come along
very often, and to have two of them on any CD makes up for a few
weak spots (the aforementioned “Stone” and “Call Me” drag a
little).
John Cowan is a unique voice; he blazes his own trail, and in
the day and age of the Corporate Music Zombies, that’s a great
thing. Don’t miss out on this CD.