Published on Aug 6, 1998
After the success that Matthew Sweet had with his album
Girlfriend, he decided that the retro-’70s sound he had hit
the jackpot with was the way to go. In 1993, Sweet came out with
his fourth album
Altered Beast which seemed to sum up the situation with the
following line: “I’m coming back with my dinosaur act.”
I remember buying this album when it came out for the song “Time
Capsule,” which got pretty good airplay in Chicago at the time. For
a while, I didn’t take it out of the tape deck of my car. Then,
almost as suddenly as I had gotten into the tape, I forgot about it
– and it has been collecting dust in the Pierce Archives all this
time… until now.
Sweet again assembled a wide array of band members to help
create the sound he was quickly becoming known for. Richard Lloyd,
Nicky Hopkins, Ric Menck – even Mick Fleetwood all lend a hand on
Altered Beast. And while there are some powerful songs on
this album, it doesn’t always capture your attention like Sweet
would have wanted it to.
In one sense, the pressure was off of Sweet. After two albums
that had failed to attract major attention, he had finally hit the
target with
Girlfriend; now, he didn’t have to prove himself with
Altered Beast. However, people expected him to top
Girlfriend, so a new dimension of pressure was added to the
project.
Fortunately, a lot of the material is indeed fresher. Songs like
“Devil With The Green Eyes,” “Someone To Pull The Trigger” and
“Time Capsule” (I forgot just how damn
good this song was) all showcase Sweet’s songwriting talent
and the ability of Sweet and his band to create a true mood with
the music. Ballads, too, are no obstacle for Sweet, as he proves on
“Life Without You” and “Evergreen”.
Two different versions of “The Ugly Truth” might seem to be a
bit of overkill – especially when one is introed with a snippet
from the shock-porn film
Caligula -but there is enough difference in the two versions
to keep them interesting.
The biggest drawback with
Altered Beast is that the formula Sweet uses in most of his
music tends to stagnate quickly, and without warning. The bulk of
the first part of the album is great, while a lot of the second
side, such as “Falling,” “Do It Again” and “Reaching Out,” fail to
hit the mark. The listener, in turn, might find themselves getting
restless at this juncture. It’s still worth checking out, but don’t
be surprised if you find yourself getting distracted near the end
of the album.
So did Sweet top
Girlfriend? In my mind, yes; this album is far more
approachable than
Girlfriend was, partly because Sweet didn’t have to worry
about whether this would be the album to break him into the
mainstream. Partly, too, because his songwriting got a little
better;
Altered Beast has a more natural sound to it, and doesn’t
feel like the retro-sound was forced onto the music.
Altered Beast is a great place for new fans of Sweet to
start their musical journey into his career, but it also showed
signs that the formula that had brought him success might have been
showing signs of weakening.