Published on Nov 30, 2005
This is the soundtrack for the new Anthrax DVD
Alive 2. The DVD, of course, visually captures the band with
their long hair flailing in the air. Another difference between the
DVD and the CD is that track four of the DVD is “Antisocial” and
track four of the DVD is “Madhouse.” Otherwise, the songs are
identical. While you can argue that you don’t need both a visual
and audio presentation of the band, especially when the visual
includes audio, I found listening to the CD was enhanced by having
seen the DVD. When Joey Belladonna says, “Cry for the — !” and the
crowd responds, “Indians!” and you see everyone’s fists in the air,
it is more gratifying.
With that in mind, the CD version kicks off with “Among The
Living” and then launches into the opening riff of “Caught In A
Mosh.” This has to be the best way the band could have started a
reunion concert. Both songs capture the magical intensity of the
“classic” lineup. “Mosh” features Charlie Benante’s frantic
drumming and Belladonna’s delivery of the lyrics “Shut up! Shut up!
I don’t want to hear about it!” that send this track over the edge.
By the time the band gets to “Madhouse,” the crowd is into the gig
and ready to take it to the next level. “N.F.L.” continues the
momentum into “Deathrider” and “Medusa.” When Belladonna introduces
“Indians” and the guitars hit the three notes as the crowd shouts,
“Indians,” there is magic. It’s a subtle magic that comes through
on this release.
While the future of the band has been captured on the
Anthrology: No Hit Wonders (1985-1991)
CD and
DVD releases, the future of the
band is uncertain. Will the band continue to tour the world with
the reformed lineup? Will they record a new CD with new songs?
New songs. Hmm. That’s one thing this release is missing. It
would have been awesome if the band would have gone in and recorded
at least one new track in the studio. It would have been awesome to
record a song from their era with vocalist John Bush, just to get
Belladonna’s approach to the material. Like if they would have
recorded a version of “Safe Home” or even “Only.” Something of a
teaser for the future. Instead, we have only the reformed band
playing their material from 1985-1991 with precision and dedication
to their fans. It’s not everything you could ask for… but
it’s enough.