Published on Jun 18, 2004
The concept album is, despite rumors to the contrary, not at all
dead. New Jersey’s Sleep Station, a cinematic rock outfit that
reminds yours truly of what you’d get if you put Radiohead and Pink
Floyd on additional serotonin, have checked in on the deep content
front with their latest effort,
After The War.
Loosely based on one soldier’s experiences in World War II,
After The War is an ambitious effort to encapsulate the war
experience as emotion. Against all odds, it mostly works, making
After The War a satisfying musical experience. The
musicianship of the band is nonpariel; Dave Debiak, Daniel Goodwin,
Ryan Ball, and Brad Paxton are talented musicians and artists in
their own right. They’re also apparently obsessive about detail; a
good portion of After The War was recorded on 1940s’ vintage amps,
microphones, and wire recorders, and this laces the recording with
an eerily authentic ambience.
So why am I not exploding with enthusiasm? Well, what keeps
After The War in the ‘good’ rather than ‘great’
classification is that for all the technical perfection, the
emotion falls flat on some level. I felt that this unnamed soldier
is lost, far from home, missing his loves, but I never really felt
pulled in.
After The War is a very satisfying CD on an intellectual
level, but on an emotional level it failed to really involve me,
except in a few key moments. There is, I suppose, such a thing as
too skilled.
Tracks worthy of note include the opening “After The War,” the
heavy percussion and synth of “Drums Of War,” and the perfect,
heartbreaking melody of “Waiting” — the only track that really
pulled me in emotionally and made me feel something. When it comes
down to it, though, Sleep Station aims close to the target, but
doesn’t quite meet its lofty goal. All Icarus references aside,
that doesn’t make this CD a failure, but perhaps a good example of
being wistful at what might have been.