Published on Jul 31, 1998
If I say the name Nils Lofgren, what picture does that form in
your head?
If you’re just a casual rock fan, you’ll remember Lofgren as a
member of Bruce Springsteen’s E-Street Band. (I fell in to this
category, by the way – never really followed his solo career.) If
you’ve done your homework, you’ll remember Lofgren’s stints with
Crazy Horse and Grin, as well as his solo career that took off
again after Springsteen dissolved the E-Street Band.
However, Lofgren seems to be ready to become the leader of the
next generation of story-telling songwriters, as evidenced on his
new album
Acoustic Live. While it sometimes is a lot to swallow in one
sitting, it is one of the most beautiful albums I’ve heard all
year.
Featuring mostly an army of acoustic guitars (provided by
Lofgren, his brothers Tom, Michael and Mark, and Paul Bell) and
some keyboards from brother Tom, Lofgren powers through 17 tracks
recorded in January 1997. Not being a big follower of his career, I
honestly don’t know if all these are new songs or if this is a
greatest hits-live package – but if all the material is this good,
who cares either way?
Lofgren sings a lot about love and the processes of growing up
(his relationship with his daughter on “Little On Up” – a song that
almost had me in tears, the loss of a childhood friend on “Man In
The Moon”), and never gets too preachy about what he sings.
Balanced by the guitar work (some of which is simply magnificent),
Lofgren seems to know where the right point is to stop singing and
let the message sink in – smart move.
The musicianship alone is worth the hour-plus it takes to get
through
Acoustic Live; check out the singing guitar line on “Some
Must Dream,” a rhythm pattern I could have listened to the whole
disc. The sounds this disc contain are simply magical, and must be
experienced.
The only drawback to the album is that things tend to start
blending together around the midpoint of the disc. If you’re not
carefully paying attention, you might allow tracks like “Believe,”
“Black Books” and “To Your Heart” to kind of mesh into one that
your ears hear. That does those songs – and the album – an
injustice, but I honestly don’t know how Lofgren could have fixed
this. Likewise, the album’s ending tracks, “Mud In Your Eye” and
“No Mercy,” don’t hold up quite as well as some of the more
powerful material.
The question must then be posed: What will
Acoustic Live do for Lofgren? I think it will accomplish two
things: First, it will establish him as a powerful
singer/songwriter who can tell a story unlike many others in his
genre. Second, if people give this disc a chance and listen to a
few tracks, it should win him over a plethora of new fans. (I know
I’ll be picking up some of his older works as a result of listening
to this disc.)
Acoustic Live is an album that Lofgren has probably waited
his whole career to produce – and the end result shows the wait was
well worth it.